Re: Alison's Music

> --- In MakeMicroMusic@y..., Alison Monteith <alison.monteith3@w...>
> wrote:
> >
> > Three old 22 tet guitar mp3s at: -
> >
> > http://homepages.which.net/~alison.monteith3/Satyrical.mp3
> > http://homepages.which.net/~alison.monteith3/Treebird.mp3
> > http://homepages.which.net/~alison.monteith3/JVguitsnip.mp3
> >
> > The last is an excerpt from a longer piece. More in the pipeline.

Thanks Alison. This was the first time I was able to hear the first
two tunings in their entirety, and they're very beautiful. I'm deeply
honored that I have contributed to your music in some small way, by
having advocated 22-tET -- thanks for taking the important step of
making actual music in this tuning!!

I wrote,

> Thanks Alison. This was the first time I was able to hear the first
> two tunings in their entirety,

Sorry -- I meant first two _pieces_. No sleep last night, aside from
another visit from the fanstastically creative hi-fi music maker in
my head who is always a million miles away when I'm awake . . . :(
('Twas a large jazzy brass ensemble this time . . . the guitar solo
began as I passed toward wakefulness) . . .

--- In MakeMicroMusic@y..., "paulerlich" <paul@s...> wrote:

/makemicromusic/topicId_1652.html#1657

> I wrote,
>
> > Thanks Alison. This was the first time I was able to hear the
first
> > two tunings in their entirety,
>
> Sorry -- I meant first two _pieces_. No sleep last night, aside
from
> another visit from the fanstastically creative hi-fi music maker in
> my head who is always a million miles away when I'm awake . . . :(
> ('Twas a large jazzy brass ensemble this time . . . the guitar solo
> began as I passed toward wakefulness) . . .

Paul, you've *got* to find a way to get that stuff onto music paper
or onto a computer sequencer.

Can't you just jump up in the middle of the night with
your 'nightcap' on and do something about it??

JP

--- In MakeMicroMusic@y..., "jpehrson2" <jpehrson@r...> wrote:

> Paul, you've *got* to find a way to get that stuff onto music paper
> or onto a computer sequencer.

> Can't you just jump up in the middle of the night with
> your 'nightcap' on and do something about it??

"Nightcap" . . . hmm . . . I need a "dream taper". The music goes by
in such richness and detail, and its details begin to get lost in a
fog of muddled memory within seconds of waking up . . . perhaps if I
devoted every waking hour of the rest of my life to arranging and
conducting, after some decades I might be able to scratch the surface
of what I hear . . . but you recommended that I keep my day job . . .
what to do, what to do . . .

--- In MakeMicroMusic@y..., "paulerlich" <paul@s...> wrote:

/makemicromusic/topicId_1652.html#1664

> --- In MakeMicroMusic@y..., "jpehrson2" <jpehrson@r...> wrote:
>
> > Paul, you've *got* to find a way to get that stuff onto music
paper
> > or onto a computer sequencer.
>
> > Can't you just jump up in the middle of the night with
> > your 'nightcap' on and do something about it??
>
> "Nightcap" . . . hmm . . . I need a "dream taper". The music goes
by
> in such richness and detail, and its details begin to get lost in a
> fog of muddled memory within seconds of waking up . . . perhaps if
I
> devoted every waking hour of the rest of my life to arranging and
> conducting, after some decades I might be able to scratch the
surface of what I hear . . . but you recommended that I keep my day
job . . .

Hi Paul...

Well... since you only seem to have to actively "work" there three or
four hours per day, if that, what harm can it do?? :)

[Followups on MetaTuning]

JP