RE: (unknown)

on Mon, 13 Feb 2006 stephen szpak wrote:

[quoting Yahya]
> From #11903
>
> On a more serious, ahem, note, let me ask you
> whether a competent musician doesn't
> _already_ use similar (if not identical)
> techniques, albeit quite possibly unconsciously,
> to alter the emotional states of his or her
> listeners?

[quoting whom?]
> From # 11883
>
> I'm not sure what subliminal sound would be, unless it's sound that
> isn't heard consciously, but I certainly believe that sound affects
> one's mood. I also believe that hearing intervals that have never been
> heard before can elicit feelings that have never been felt before,
> which
> is one reason why I'm interested in microtonal music.
>
> Responses must be at meta.

[The folowing is presumably Stephen's own words]
> See link if desired:
>
> /metatuning/topicId_10432.html#10432

Hi Stephen,

I followed your link, and found the information and
speculations there quite interesting.

Do you know of any other evidence for the three
'type songs' besides the links given on that page?
Or for the relevance of the ~7 Hz theta wave
frequency?

Besides such pedantic questions, I have a musical
one - have you thought how one might make (micro)
music using the point of view given at your link?

Regards,
Yahya

PS Please "quote" anything of mine you need in
your reply, using the common convention of adding
a leading "greater-than" sign > and space, as above,
for example:
> From #11903
YA

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--- In MakeMicroMusic@yahoogroups.com, "Yahya Abdal-Aziz" <yahya@...>
wrote:
>
Yahya

Off topic. Please post in Meta as requested.
I have some time today, maybe I can reply.

Stephen

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