for amusement

http://web.mac.com/len15/MUSICAL_CULT_CONTROL/Leonard_G._Horowitz.html

so the dude is a dentist?

I would not of guessed 4 Hz would be the difference between universal utopia
or apocalyptic meltdown of society.

Chris

On Sun, Aug 15, 2010 at 6:17 PM, Kraig Grady <kraiggrady@...>wrote:

>
>
> http://web.mac.com/len15/MUSICAL_CULT_CONTROL/Leonard_G._Horowitz.html
>
>
>

"Not coincidently metaphysically, the interval between A=440Hz
(equivalent to F#=741Hz in the ancient original Solfeggio scale) and
A=444Hz (C(5)=528Hz in the ancient original Solfeggio scale) is
classically known as the Devil’s Interval in musicology, due to its
highly aversive disharmonious sound made when these two notes are
played simultaneously.(36)"

^^ Read this sentence twice.

-Mike

On Sun, Aug 15, 2010 at 6:41 PM, Chris Vaisvil <chrisvaisvil@...> wrote:
>
>
>
> so the dude is a dentist?
>
> I would not of guessed 4 Hz would be the difference between universal utopia or apocalyptic meltdown of society.
>
> Chris
>
> On Sun, Aug 15, 2010 at 6:17 PM, Kraig Grady <kraiggrady@...> wrote:
>>
>>
>>
>> http://web.mac.com/len15/MUSICAL_CULT_CONTROL/Leonard_G._Horowitz.html
>>
>
>

yes... astounding math skills. It is interesting how the 440 is equal
to a "equivalent" frequency that is higher that the "equivalent"
frequency to 444.

I hope he is retired from doing actual dental work - or banned from it
or something. "incisor? molar? oh whatever - lets just pull out a
tooth...."

On Sun, Aug 15, 2010 at 9:01 PM, Mike Battaglia <battaglia01@...> wrote:
>
> "Not coincidently metaphysically, the interval between A=440Hz
> (equivalent to F#=741Hz in the ancient original Solfeggio scale) and
> A=444Hz (C(5)=528Hz in the ancient original Solfeggio scale) is
> classically known as the Devil’s Interval in musicology, due to its
> highly aversive disharmonious sound made when these two notes are
> played simultaneously.(36)"
>
> ^^ Read this sentence twice.
>
> -Mike
>
>
> On Sun, Aug 15, 2010 at 6:41 PM, Chris Vaisvil <chrisvaisvil@...> wrote:
> >
> >
> >
> > so the dude is a dentist?
> >
> > I would not of guessed 4 Hz would be the difference between universal utopia or apocalyptic meltdown of society.
> >
> > Chris
> >

Fang-tastic gum-bo-jumbo! What a molarstation of the good rules of
acoustical science and tuning theory! LOL.

Oz.

✩ ✩ ✩
www.ozanyarman.com

On Aug 16, 2010, at 4:51 AM, Chris Vaisvil wrote:

> yes... astounding math skills. It is interesting how the 440 is equal
> to a "equivalent" frequency that is higher that the "equivalent"
> frequency to 444.
>
> I hope he is retired from doing actual dental work - or banned from it
> or something. "incisor? molar? oh whatever - lets just pull out a
> tooth...."
>
> On Sun, Aug 15, 2010 at 9:01 PM, Mike Battaglia
> <battaglia01@...> wrote:
>>
>> "Not coincidently metaphysically, the interval between A=440Hz
>> (equivalent to F#=741Hz in the ancient original Solfeggio scale) and
>> A=444Hz (C(5)=528Hz in the ancient original Solfeggio scale) is
>> classically known as the Devil’s Interval in musicology, due to its
>> highly aversive disharmonious sound made when these two notes are
>> played simultaneously.(36)"
>>
>> ^^ Read this sentence twice.
>>
>> -Mike
>>
>>
>> On Sun, Aug 15, 2010 at 6:41 PM, Chris Vaisvil <chrisvaisvil@...
>> > wrote:
>>>
>>>
>>>
>>> so the dude is a dentist?
>>>
>>> I would not of guessed 4 Hz would be the difference between
>>> universal utopia or apocalyptic meltdown of society.
>>>
>>> Chris
>>>
>

I will add on the side that this is about the billionth document that blames
a downfall of society on wealthy investors (if not limited to just bankers).
Here in the US we get plenty of propaganda that the Federal Reserve is not
really a government agency, but a private one that the banks use to control
government...and they site the number of bank members in things like the Senate
as a reference. Goldman Sachs anyone?

--- In tuning@yahoogroups.com, "Kraig Grady" <kraiggrady@...> wrote:
>
> http://web.mac.com/len15/MUSICAL_CULT_CONTROL/Leonard_G._Horowitz.html
>
Hi all,
that joke-site links to another funny hoax:
http://web.me.com/len15/HYDROSONICS/THE_JOURNAL_OF_HYDROCREATIONISM________________________________________________________.html

well
let's try to round out that incomplete specification
into a comlete cycle of a dozen 5ths

C 33 66 132 264 !!! 528 !!! Hz initial value of the specification
G 99
D (A/3=37 74 148 196 <) 297 := G*3 := C*9
A (E/3:=55 110 <) 111 222 ! Gotcha ! 444Hz !
E 165
B 495
F# 1485
C# 2227 4454 (<4455 := F#*3 := 55*81)
G# 835 1670 3340 6680 (< 6681 := C#*3)
Eb 313 626 1252 2504 (< 2505 := G#*3)
Bb 939
F 11 22 44 88 176 352 704 1408 2816 (< 2817 := Bb*3 := Eb*9)

line them up in ascending order

c' 264 Hz middle_C4
#' 278.375
d' 297
#' 313
e' 330
f' 352
#' 371.25
g' 396
#' 417.5
a' 444 Hz as absolute strictly demanded required set-point of pitch!
#' 469.5
b' 495
c" 528 Hz tenor_C5

or as relative ratios in

!Horowitz.scl
Leonard G.Horowitz's DMD,MA,MPH,DNM(hon.) scale completed by Sparschuh
!
12
!
2227/2112
9/8
313/264
5/4
4/3
45/32
3/2
835/528
37/22
313/176
15/8
2/1
!
![eof]

have a lot of fun with that canard out of the scuttlebutt
bye
Andy