Paul's minor triads

Paul H. Erlich" wrote:
>>
>> With Carl Lumma's help, I've posted 9 different versions of a minor triad.
>> I'd like to hear people's (esp. Jerry's) reactions to these triads (ears
>> only please), and eventually I will reveal their true nature.

To which David Beardsley commented:
>
> 3 seconds a chord isn't very much to work with.

Try this, David. Start and stop the sound a few times within the examples
and let the "echo" register in your imagination. I think this actually helps
to hear the individual pitches of the chord members.

I learned to do this while doing "take downs" for my forensic musicology
work. It's surprising how long the memory lingers in your "ears."

Jerry

Gerald Eskelin wrote:

> To which David Beardsley commented:
> >
> > 3 seconds a chord isn't very much to work with.
>
> Try this, David. Start and stop the sound a few times within the examples
> and let the "echo" register in your imagination. I think this actually helps
> to hear the individual pitches of the chord members.
>
> I learned to do this while doing "take downs" for my forensic musicology
> work. It's surprising how long the memory lingers in your "ears."

I ended up looping the wav files in Sonic Foundry
Acid this morning. I'll have more time to listen
this evening.

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