Re: Digest Number 527

> [Paul Erlich, TD 527.]
> Another very powerful dominant-type chord, the Carole King
> chord (IV triad over V bass)

When I was learning my R&B chops in New York and Philly,
we just called that an '11th' chord.

It's used all the time in so-called 'urban contemporary'
music, and has origins far older than Carole King, in
c 1920-30s gospel.

> [Paul Erlich, TD 527.18, on the 'Jimi Hendrix chord']
> ... in response to Joe Monzo's 8:10:12:14:19 interpretation.

Duh! And I called it 16:20:24:28:38 a few posts earlier!
[TD 527.10]. I *thought* something looked wrong with those
proportions... (better get some sleep...)

-monz

Joseph L. Monzo Philadelphia monz@juno.com
http://www.ixpres.com/interval/monzo/homepage.html
|"...I had broken thru the lattice barrier..."|
| - Erv Wilson |
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