--- On Sat, 6/7/08, Mike Battaglia <battaglia01@...> wrote:
> From: Mike Battaglia <battaglia01@...>
> Subject: [tuning] Music Theory (was Re: How to keep discussions on-
> Furthermore, this chord:
>
> D F A d' f#'
...
...
> -Mike
(of course jazz theory "sucks"--its purpose is simply to enable communication between musicians who share a common practice. It's a communicative, not an explanatory or generative kind of theory...)
this chord: > D F A d' f#
the lower the original D, the more of a root it is...
high enough, and the root here is Bb, (A is 15) and F# is perhaps 25
or if the lowest D is high enough, the root could be G, and then F approximates 7 and f#' approximates 15
or it's just a good old sweet-and-sour major-minor third 014-ish thingy, ala Stravinsky. Don't play this in a jazz session. Assert frequently, and it will sound right.
There are limits to how low a root can be--I'd put the limit around 16 hz--the approximate "flicker fusion" threshold.
I'm all for multipersectivismthingamajigglism, but when I read "quantum" I reach for the little button that gets me to the next post...I've never regretted this, but maybe someone will find some connection between things quantum and music theory.