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to yahya :RE: [tuning] Re: 3 new musics are uploaded

🔗Mohajeri Shahin <shahinm@kayson-ir.com>

11/28/2006 8:25:13 PM

Hi dear yahya

Thanks you very much.
Usual music for past and now and unusual music for now (-:. although before being a member of groupe i was thinking about unusual music.
For baran scale see:

http://www.esnips.com/web/Shaahinsmicrotonaldocumentfolder
(it is not 12-EDO)

Shaahin Mohajeri

Tombak Player & Researcher , Microtonal Composer

My web site?? ???? ????? ?????? <http://240edo.tripod.com/>

My farsi page in Harmonytalk ???? ??????? ?? ??????? ??? <http://www.harmonytalk.com/mohajeri>

Shaahin Mohajeri in Wikipedia ????? ?????? ??????? ??????? ???? ???? <http://en.wikipedia.org/wiki/Shaahin_mohajeri>

________________________________

From: tuning@yahoogroups.com [mailto:tuning@yahoogroups.com] On Behalf Of yahya_melb
Sent: Monday, November 27, 2006 12:50 PM
To: tuning@yahoogroups.com
Subject: [tuning] Re: 3 new musics are uploaded

--- In tuning@yahoogroups.com <mailto:tuning%40yahoogroups.com> , "Mohajeri Shahin" wrote:
>
>
> Hi all
> I have uploaded 3 new musics :
> 1- Nightly lullaby
<http://acousticsoftombak.googlepages.com/Nightlylullaby.mp3 <http://acousticsoftombak.googlepages.com/Nightlylullaby.mp3> >
> A bakhtiari folk song inspired me to make this music in 12-EDO very
long ago.
> 2- For my daughter , baran-1
<http://acousticsoftombak.googlepages.com/Forbaran.mp3 <http://acousticsoftombak.googlepages.com/Forbaran.mp3> >
> 3- For my daughter , baran-2
<http://acousticsoftombak.googlepages.com/Forbaran2.mp3 <http://acousticsoftombak.googlepages.com/Forbaran2.mp3> >
> Baran scale (a hybrid 12-tone scale which has two segments as 7-aid
(700.) and 5-aid(500.) with a1=80 for both) is used to retune these
two musics.
> For Baran scale click here </web/Shaahinsmicrotonaldocumentfolder> .

Hi Shaahin,

What a lucky child!

The first is dramatic and lush and beautifully coloured. If that's
12-EDO, just proves that you don't need unusual tunings to make
unusual music. Though I can't imagine a child falling asleep to it!

The second is nicely engineered into a cohesive whole, with clear,
melodic themes and pretty textures.

I love the third, more for its angular cross-rhythms than its
tuning. It creates a sense of unease and unpredictability that owuld
be perfect program music for, say, a chase through the narrow,
winding streets of the bazaar quarter of an ancient city.

---

Re tuning: Could you explain the last scale a little more - what does
the term "7-aid(700.)" mean? I guess it's 7 arithmetic (something)
divisions of 700 cents, but what's the something? And what's a1?

If the tuning was of two segments, 7-ed(700.) and 5-ed(500.), we'd,
of course, have 12-edo; would this change the feeling of the piece
greatly?

Regards,
Yahya

🔗yahya_melb <yahya@melbpc.org.au>

11/29/2006 6:33:13 AM

--- In tuning@yahoogroups.com, "Mohajeri Shahin" wrote:
>
> Hi dear yahya
>
> Thanks you very much.
> Usual music for past and now and unusual music for now (-:.
although before being a member of groupe i was thinking about unusual
music.
> For baran scale see:
>
> http://www.esnips.com/web/Shaahinsmicrotonaldocumentfolder
> (it is not 12-EDO)
>
> Shaahin Mohajeri

Thanks - lots of fun! I used it to find out the size of a 19-fold
division of the perfect fifth, then for an eyeball appraisal of the
fit of the resulting intervals to various smallish ratios. Could be
quite useful.

Regards,
Yahya