AW.: RE: Re: RE: A gentle introduction to Fokker periodicity blocks...

In einer Nachricht vom 11/1/99 11:17:15 PM (MEZ) Mitteleurop�ische
Zeitschreibt PErlich@Acadian-Asset.com:

<< the simplest n intervals that are too small to represent a
meaningful musical difference (in whatever musical context one may be
operating) should be chosen as the unison vectors. >>

Can you be more concrete -- in terms of functional tonality -- about your
definition of a meaningful musical difference?

I should note in this context that David Feldman has made a passacaglia (a
prototype is described in his XH article) whose melody is a sequence of small
number ratios with a product that is a very near unison (I believe it is
123201:123200). A table of primes and factors is a good place to look for
intervals like this.