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LucyTuned 13 Tetrads as listed by Gene Wizard Smith

🔗Charles Lucy <lucy@harmonics.com>

4/26/2005 6:38:46 PM
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I've been playing with Gene Ward Smith's tetrads

You can hear how all 13 of them sound in order at:

http://www.lucytune.com/mp3/All13Chords.mp3

Tetrads of meantone

Here are tetrads of meantone along with 7-limit interpretations.
It would be interesting to know more about when and by whom some of
these were used in common practice harmony.

Dominant seventh C-E-G-Bb 1-5/4-3/2-16/9 = 1-5/4-3/2-9/5

German sixth C-E-G-A# 1-5/4-3/2-7/4 major/otonal tetrad

Swiss sixth C-D#-G-A# 1-7/6-3/2-7/4

French sixth C-E-F#-A# 1-5/4-10/7-7/4

Added sixth C-E-G-A 1-5/4-3/2-5/3

Tristan/half-diminished C-Eb-G-Bbb 1-6/5-3/2-12/7 minor/utonal tetrad

"Mozart tetrad" C-Fb-G-Bb 1-9/7-3/2-9/5 supermajor tetrad

"Subminor tetrad" C-D#-G-A 1-7/6-3/2-5/3 subminor tetrad

Incomplete dominant 9th/minor added sixth C-Eb-G-A 1-6/5-3/2-5/3

Diminished seventh C-Eb-Gb-Bbb, C-Eb-Gb-A, C-Eb-F#--A, C-D#--F#-A

Major seventh C-E-G-B 1-5/4-3/2-15/8

Minor seventh C-Eb-G-Bb 1-6/5-3/2-9/5

"Meanpop sixth" C-Eb-G-A# 1-6/5-3/2-7/4, the (7/4)/(6/5) = 35/24
interval is a meanpop 16/11.

Charles Lucy - lucy@harmonics.com
------------ Promoting global harmony through LucyTuning -------
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🔗Gene Ward Smith <gwsmith@svpal.org>

4/26/2005 7:48:01 PM

--- In tuning@yahoogroups.com, Charles Lucy <lucy@h...> wrote:
> I've been playing with Gene Ward Smith's tetrads
>
> You can hear how all 13 of them sound in order at:
>
> http://www.lucytune.com/mp3/All13Chords.mp3

Thanks!

🔗Yahya Abdal-Aziz <yahya@melbpc.org.au>

4/27/2005 6:34:40 PM

Gene and Charles,

Thanks to both of you, we now have yet another useful
and factual musical resource. More power to your arms!

Regards,
Yahya

-----Original Message-----
________________________________________________________________________
Date: Wed, 27 Apr 2005 02:38:46 +0100
From: Charles Lucy <lucy@...>
Subject: LucyTuned 13 Tetrads as listed by Gene Wizard Smith

I've been playing with Gene Ward Smith's tetrads

You can hear how all 13 of them sound in order at:

http://www.lucytune.com/mp3/All13Chords.mp3

Tetrads of meantone

Here are tetrads of meantone along with 7-limit interpretations.
It would be interesting to know more about when and by whom some of
these were used in common practice harmony.

Dominant seventh C-E-G-Bb 1-5/4-3/2-16/9 = 1-5/4-3/2-9/5

German sixth C-E-G-A# 1-5/4-3/2-7/4 major/otonal tetrad

Swiss sixth C-D#-G-A# 1-7/6-3/2-7/4

French sixth C-E-F#-A# 1-5/4-10/7-7/4

Added sixth C-E-G-A 1-5/4-3/2-5/3

Tristan/half-diminished C-Eb-G-Bbb 1-6/5-3/2-12/7 minor/utonal tetrad

"Mozart tetrad" C-Fb-G-Bb 1-9/7-3/2-9/5 supermajor tetrad

"Subminor tetrad" C-D#-G-A 1-7/6-3/2-5/3 subminor tetrad

Incomplete dominant 9th/minor added sixth C-Eb-G-A 1-6/5-3/2-5/3

Diminished seventh C-Eb-Gb-Bbb, C-Eb-Gb-A, C-Eb-F#--A, C-D#--F#-A

Major seventh C-E-G-B 1-5/4-3/2-15/8

Minor seventh C-Eb-G-Bb 1-6/5-3/2-9/5

"Meanpop sixth" C-Eb-G-A# 1-6/5-3/2-7/4, the (7/4)/(6/5) = 35/24
interval is a meanpop 16/11.
________________________________________________________________________

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