La Sinfonia del Giorno Santo

I have been reading the messages here with great
interest for several months. A practical use of
tuning markings and a flexible tuning based around
just intonation may be found -- and perhaps criticised
-- in my "La Sinfonia del Giorno Santo" (Holy Day
Overture).

Full score in pdf and mp3 recording links here:

www.guglielmomusic.com/0500/gugliel0500score.html

If you know any orchestral conductors interested in
these matters, kindly tell me!

Guglielmo

www.guglielmomusic.com
www.soundclick.com/guglielmo

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Hi Guglielmo!

>I have been reading the messages here with great
>interest for several months. A practical use of
>tuning markings and a flexible tuning based around
>just intonation may be found -- and perhaps criticised
>-- in my "La Sinfonia del Giorno Santo" (Holy Day
>Overture).
>
>Full score in pdf and mp3 recording links here:
>
>www.guglielmomusic.com/0500/gugliel0500score.html

Very interesting. Is the mp3 recording performed with
the tuning indicated? How did you perform it?

>If you know any orchestral conductors interested in
>these matters, kindly tell me!
>
>Guglielmo
>
>www.guglielmomusic.com
>www.soundclick.com/guglielmo

How did you perform O My Dear Heart? With a vocoder?

And what is "supertemperament" (1st WTC prelude)?

-Carl