Yahoo Tuning Groups Ultimate Backup tuning American Festival of Microtonal Music Concerts and CDs

Contact:
Johnny Reinhard AFMM 212-517-3550
Afmmjr@aol.com
http://www.afmm.org

FOR IMMEDIATE RELEASE:

AMERICAN FESTIVAL OF MICROTONAL MUSIC
presents

MicroFest 2005: 25th Anniversary
March 26 • April 8 • May 6 -- NYC

The American Festival of Microtonal Music (AFMM), under the
direction of Johnny Reinhard, presents 3 New York Concerts at Faust and Harrison
Pianos (located at 205 West 58th Street). The series begins on March 26,
continues on April 8, and concludes on May 6. All concerts start at 8 PM. General
admission is $15, $10 for seniors and students (with ID) at the door. In
celebration of its 25th anniversary, the AFMM is issuing 3 CDs on its PITCH label.

Saturday March 26th features classical compositions heard in Kirnberger II
tuning, the most justly tuned well temperament ever invented, including Ludwig
van Beethoven’s TRIO (Opus 11), Felix Mendelssohn’s CONCERTPIECE No. 2, Robert
Schumann’s 3 ROMANCES, and a rare Carl Philipp Emanuel Bach TRIO. Other
highlights are the polymicrotonal works of Mordecai Sandberg’s PSALM 131 in its
world premiere for English horn solo and ensemble, and Johnny Reinhard’s MELANIN
for oboe solo. Additionally, a rare chromatic tidbit by Georg Philipp
Telemann will be heard for the first time in modern times in its native sixth-comma
meantone. The AFMM Ensemble performers for this opening concert are pianist
Joshua Pierce, oboist Bram Kreeftmeijer (Netherlands), clarinetist Gilad Harel,
bassoonist Johnny Reinhard, and cellist Dan Barrett.

Friday April 8th is a presentation of the Electric Music Collective and
features combinations of electronic and acoustic settings. Timothy Polashek opens
the evening with polymicrotonal computer generations of HOT-TEMPERED
ARPEGGIOS. Marcus Alessi Bittencourt performs his BATHYSCAPHE for ring-modulated piano
and live electronics. Christopher Bailey is represented by two works,
OOOGAAH: DUNGEONY SPECIMEN SPACESHIP for computer-generated sound and samples, with
scales and tuning based on spectral analyses, and MGESAHRED EFFLEWD BQNOUSSK in
23-limit Just Intonation for baritone saxophonist Matthew Polashek and the
composer at the piano. Douglas Geers’ pair of works are PEACE PRAYER for
violinist Maja Cerar and live electronics, and LUNAR CRESCENT in Just Intonation.
And Joseph Pehrson‘s world premiere of BLACK AND JILL, featuring soprano
Meredith Borden singing in a subset of 72-tone equal temperament, rounds out the
program.

Friday May 6th is a celebration of the music of the Baul culture, and
introduces 10th dynasty Baul music master and multi-instrumentalist Babukishan
(India) playing khamak and ektara, among others instruments. Fretless microtonal
guitarist Jon Catler joins the program with the world premiere of his SOLO
GUITAR CONCERTO. AFMM director and bassoonist Johnny Reinhard collaborates with
both Babukishan and Jon Catler for a rollicking final night evening of global
proportions.

≡≡≡≡≡≡≡≡
As part of the 25th Anniversary experience, the American Festival of
Microtonal Music has produced its first CDs on its PITCH label. They are available
for $20 apiece, including mailing and handling.

P-200201 ODYSSEUS by Johnny Reinhard features cellist Dave Eggar and
55 AFMM musicians in the polymicrotonal musical telling of the Homeric epic.
The musicians represent a galaxy of the world’s best stemming from all walks
of musical life.

P-200202 EARLY celebrates the music of Johann Sebastian Bach in its
historical well temperament of Werckmeister III tuning. Present are
BRANDENBURG CONCERTI Nos. 2 & 3, examples from the WELL-TEMPERED CLAVIER, composer
Andreas Werckmeister’s Christmas Cantata WO IST DER NEUGEBORNE KONIG DER JUDEN, and
uncle Johann Michael Bach’s concerto ACH, BLEIB BEI UNS, HERR JESU CHRIST.

P-200203 CHAMBER features microtonal gems of the 20th Century by
prominent composers Julián Carrillo (PRELUDIO A COLON), Charles Ives (STRING
QUARTET NO. 2 in extended Pythagorean tuning featuring the FLUX Quartet), Lou
Harrison (AT THE TOMB OF CHARLES IVES), Harry Partch (TWO SETTINGS FROM JOYCE’S
FINNEGAN’S WAKE), Iannis Xenakis (ANAKTORIA), and Giacinto Scelsi (KO-LHO).

The American Festival of Microtonal Music, Inc. is supported by the New York
State Council on the Arts, the Maldeb Foundation, co-production by Faust
Harrison Pianos, and individuals.

Hi Johnny,

Sounds like an exciting program - Wish I was there! :-|

Had a little difficulty in reading the entire text of your message in my Outlook news reader. Whether the window was maximised or not, the rightmost part of the line falls outside the window ... Thought you should know, in case others have troublle reading it. Still, I got the gist of your message.

Two questions for you: Any plans to record the concerts? Does the $20 price per CD include mailing to Melbourne, Australia?

Regards,
Yahya
------------------------------------------------
Yahya Abdal-Aziz
Yahya@MelbPC.Org.Au
Melbourne PC User Group
Member 1075
Convener, Graphics Interest Group
Convener, Music Interest Group
------------------------------------------------

-----Original Message-----
From: Afmmjr@aol.com [mailto:Afmmjr@aol.com]
Sent: Monday 7 February 2005 14:18 pm
To: tuning@yahoogroups.com
Subject: [tuning] American Festival of Microtonal Music Concerts and CDs

Contact:

Johnny Reinhard AFMM 212-517-3550

Afmmjr@aol.com

http://www.afmm.org

FOR IMMEDIATE RELEASE:

AMERICAN FESTIVAL OF MICROTONAL MUSIC
presents

MicroFest 2005: 25th Anniversary
March 26 • April 8 • May 6 -- NYC

The American Festival of Microtonal Music (AFMM), under the direction of Johnny Reinhard, presents 3 New York Concerts at Faust and Harrison Pianos (located at 205 West 58th Street). The series begins on March 26, continues on April 8, and concludes on May 6. All concerts start at 8 PM. General admission is $15, $10 for seniors and students (with ID) at the door. In celebration of its 25th anniversary, the AFMM is issuing 3 CDs on its PITCH label.

Saturday March 26th features classical compositions heard in Kirnberger II tuning, the most justly tuned well temperament ever invented, including Ludwig van Beethoven’s TRIO (Opus 11), Felix Mendelssohn’s CONCERTPIECE No. 2, Robert Schumann’s 3 ROMANCES, and a rare Carl Philipp Emanuel Bach TRIO. Other highlights are the polymicrotonal works of Mordecai Sandberg’s PSALM 131 in its world premiere for English horn solo and ensemble, and Johnny Reinhard’s MELANIN for oboe solo. Additionally, a rare chromatic tidbit by Georg Philipp Telemann will be heard for the first time in modern times in its native sixth-comma meantone. The AFMM Ensemble performers for this opening concert are pianist Joshua Pierce, oboist Bram Kreeftmeijer (Netherlands), clarinetist Gilad Harel, bassoonist Johnny Reinhard, and cellist Dan Barrett.

Friday April 8th is a presentation of the Electric Music Collective and features combinations of electronic and acoustic settings. Timothy Polashek opens the evening with polymicrotonal computer generations of HOT-TEMPERED ARPEGGIOS. Marcus Alessi Bittencourt performs his BATHYSCAPHE for ring-modulated piano and live electronics. Christopher Bailey is represented by two works, OOOGAAH: DUNGEONY SPECIMEN SPACESHIP for computer-generated sound and samples, with scales and tuning based on spectral analyses, and MGESAHRED EFFLEWD BQNOUSSK in 23-limit Just Intonation for baritone saxophonist Matthew Polashek and the composer at the piano. Douglas Geers’ pair of works are PEACE PRAYER for violinist Maja Cerar and live electronics, and LUNAR CRESCENT in Just Intonation. And Joseph Pehrson‘s world premiere of BLACK AND JILL, featuring soprano Meredith Borden singing in a subset of 72-tone equal temperament, rounds out the program.

Friday May 6th is a celebration of the music of the Baul culture, and introduces 10th dynasty Baul music master and multi-instrumentalist Babukishan (India) playing khamak and ektara, among others instruments. Fretless microtonal guitarist Jon Catler joins the program with the world premiere of his SOLO GUITAR CONCERTO. AFMM director and bassoonist Johnny Reinhard collaborates with both Babukishan and Jon Catler for a rollicking final night evening of global proportions.

≡≡≡≡≡≡≡≡

As part of the 25th Anniversary experience, the American Festival of Microtonal Music has produced its first CDs on its PITCH label. They are available for $20 apiece, including mailing and handling.

P-200201 ODYSSEUS by Johnny Reinhard features cellist Dave Eggar and 55 AFMM musicians in the polymicrotonal musical telling of the Homeric epic. The musicians represent a galaxy of the world’s best stemming from all walks of musical life.

P-200202 EARLY celebrates the music of Johann Sebastian Bach in its historical well temperament of Werckmeister III tuning. Present are BRANDENBURG CONCERTI Nos. 2 & 3, examples from the WELL-TEMPERED CLAVIER, composer Andreas Werckmeister’s Christmas Cantata WO IST DER NEUGEBORNE KONIG DER JUDEN, and uncle Johann Michael Bach’s concerto ACH, BLEIB BEI UNS, HERR JESU CHRIST.

P-200203 CHAMBER features microtonal gems of the 20th Century by prominent composers Julián Carrillo (PRELUDIO A COLON), Charles Ives (STRING QUARTET NO. 2 in extended Pythagorean tuning featuring the FLUX Quartet), Lou Harrison (AT THE TOMB OF CHARLES IVES), Harry Partch (TWO SETTINGS FROM JOYCE’S FINNEGAN’S WAKE), Iannis Xenakis (ANAKTORIA), and Giacinto Scelsi (KO-LHO).

The American Festival of Microtonal Music, Inc. is supported by the New York State Council on the Arts, the Maldeb Foundation, co-production by Faust Harrison Pianos, and individuals.

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American Festival of Microtonal Music Concerts and CDs

🔗Afmmjr@aol.com

🔗Yahya Abdal-Aziz <yahya@melbpc.org.au>

🔗Afmmjr@aol.com