back to list

Microtonal Bach Internet Link, now 11 AM - 3 PM Christmas Day

🔗Afmmjr@aol.com

12/24/2003 3:39:14 PM

http://www.columbia.edu/cu/wkcr/

🔗Carl Lumma <ekin@lumma.org>

12/24/2003 3:45:50 PM

> http://www.columbia.edu/cu/wkcr/

Rock!

... Wait, drag, I don't think I'll have any way to be near a
fast connection during this time. Is there any way to catch
it after-the-fact?

-Carl

🔗David Beardsley <db@biink.com>

12/26/2003 12:06:22 PM

Afmmjr@aol.com wrote:

> http://www.columbia.edu/cu/wkcr/

Damm...missed it. :(

--
* David Beardsley
* microtonal guitar
* http://biink.com/db

🔗Carl Lumma <ekin@lumma.org>

12/26/2003 1:21:40 PM

>> http://www.columbia.edu/cu/wkcr/
>
>Damm...missed it. :(

Me too. Is there any way to catch it after-the-fact?

-Carl

🔗David Beardsley <db@biink.com>

12/26/2003 1:24:17 PM

Carl Lumma wrote:

>>>http://www.columbia.edu/cu/wkcr/
>>> >>>
>>Damm...missed it. :(
>> >>
>
>Me too. Is there any way to catch it after-the-fact?
> >

Keep an eye on the WKCR web site, but
I doubt it. There's always next year....

I think I have an old broadcast on a vcr tape somewhere.

--
* David Beardsley
* microtonal guitar
* http://biink.com/db

🔗Paul Erlich <paul@stretch-music.com>

12/30/2003 12:02:33 PM

--- In tuning@yahoogroups.com, David Beardsley <db@b...> wrote:
> Afmmjr@a... wrote:
>
> > http://www.columbia.edu/cu/wkcr/
>
> Damm...missed it. :(
>
> --
> * David Beardsley
> * microtonal guitar
> * http://biink.com/db

Me too, very sad. My dad, who is a huge Bach fan, did catch it
though, and thought it was excellent -- he loved the "timbres" of the
performances. He's probably unaware that a change in tuning can sound
more like a change in timbre, especially when the change is small but
has a significant effect on the degree to which harmonic series are
approximated by the simultaneities in the music.

🔗Gene Ward Smith <gwsmith@svpal.org>

12/30/2003 2:14:41 PM

--- In tuning@yahoogroups.com, "Paul Erlich" <paul@s...> wrote:

>
He's probably unaware that a change in tuning can sound
> more like a change in timbre, especially when the change is small
but
> has a significant effect on the degree to which harmonic series are
> approximated by the simultaneities in the music.

When I put up the Symphonie Fantastique in Pajara[12], tell me if it
sounds like the timbre changes. :)

🔗Afmmjr@aol.com

12/31/2003 6:45:37 AM

In a message dated 12/30/2003 3:03:54 PM Eastern Standard Time,
paul@stretch-music.com writes:

> Me too, very sad. My dad, who is a huge Bach fan, did catch it
> though, and thought it was excellent -- he loved the "timbres" of the
> performances. He's probably unaware that a change in tuning can sound
> more like a change in timbre, especially when the change is small but
> has a significant effect on the degree to which harmonic series are
> approximated by the simultaneities in the music.
>

Hi All,

Nice theory, Paul. However, I treated listeners to real timbral treats,
independent of the tuning of the scale. There were some fantastic organs,
excellent Kipnis clavichord recordings, and the live Brandenburg performances from
the AFMM: all timbrally rich, yet distinctive.

Incidentally, I did demonstrate a single cent both vocally and instrumentally
on the broadcast.

all best, Johnny Reinhard

🔗Paul Erlich <paul@stretch-music.com>

12/31/2003 2:21:12 PM

--- In tuning@yahoogroups.com, Afmmjr@a... wrote:
> In a message dated 12/30/2003 3:03:54 PM Eastern Standard Time,
> paul@s... writes:
>
> > Me too, very sad. My dad, who is a huge Bach fan, did catch it
> > though, and thought it was excellent -- he loved the "timbres" of
the
> > performances. He's probably unaware that a change in tuning can
sound
> > more like a change in timbre, especially when the change is small
but
> > has a significant effect on the degree to which harmonic series
are
> > approximated by the simultaneities in the music.
> >
>
> Hi All,
>
> Nice theory, Paul. However, I treated listeners to real timbral
treats,
> independent of the tuning of the scale. There were some fantastic
organs,
> excellent Kipnis clavichord recordings, and the live Brandenburg
performances from
> the AFMM: all timbrally rich, yet distinctive.
>
> Incidentally, I did demonstrate a single cent both vocally and
instrumentally
> on the broadcast.
>
> all best, Johnny Reinhard

OK, then let me simply emend the above statement by removing the
quotation marks around the word "timbres", and let me offer my
congratulations to you on the wonderful Christmas broadcast!