>
Novaro suggest the following notation
C
C+
C#
D
D#
E
F
F+
F#
G
G+
A
A+
A#
B
C
But what is most interesting is a keyboard that instead of the 2 and then 3 black pattern we are
use to
has a picture of 1 black, then 2 blacks , then three.
One could then use a staff with that looked like this where the black notes are notated on the
lines , the white inbetween
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------------------------------------repeat of above if desired
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for my pieces in 16 tones i have use a pattern which i came up with independently of Novaro only
to discover it had bone it alson of 3 blacks then 4 blacks
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Both these form makes are used without accidentals.
he also has a 2 black 4 black keyboard for a 14 tone scale
-- -Kraig Grady
North American Embassy of Anaphoria Island
http://www.anaphoria.com
The Wandering Medicine Show
KXLU 88.9 FM WED 8-9PM PST
On Sun, 21 Dec 2003 23:43:39 -0800, kraig grady <kraiggrady@anaphoria.com>
wrote:
> Novaro suggest the following notation
>
>C
>C+
>C#
>D
>D#
>E
>F
>F+
>F#
>G
>G+
>A
>A+
> A#
>B
>C
Hmm.... I don't like notations that have different meanings for accidentals
depending on which note they're attached to. It's confusing that C# is two
steps above C, but D# is only one step above D.
But Novaro's assignment of letter names seems about as good as any for
15-ET (providing that you want to keep all seven notes ... otherwise, a
series of fifths C-G-D-A-E would do nicely ... )