raga redux: Raga Mela Hanumatodi

Namaste! Haresh, Manuel, Paul E. and/or whoever might know,
What's the background "story" behind Raga Mela Hanumatodi and examples of
tuning ratios/cents????
Thanx!!!!

--- º°`°º ø,¸¸,ø º°`°º ø,¸¸,ø º°`°º ø,¸¸,ø º°`°º º°`°º ø,¸~->

Hanuman Zhang, musical mad scientist
(no, I don't wanna take over the world, just the sound spectrum...)
http://www.boheme-magazine.net

"What strange risk of hearing can bring sound to music - a hearing whose
obligation awakens a sensibility so new that it is forever a unique, new-born,
anti-death surprise, created now and now and now. .. a hearing whose moment
in time is always daybreak." - Lucia Dlugoszewski

"... simple, chaotic, anarchic and menacing.... This is what people of today
have lost and need most-- the ability to experience permanent bodily and
mental ecstasy, to be a receiving station for messages howling by on the ether from
other worlds and nonhuman entities, those peculiar short-wave messages which
come in static-free in the secret pleasure center in the brain." - Slava Ranko
(Donald L. Philippi)

"There's a rabbinical tradition that the music in heaven will be microtonal"
-annotative interpretation of Schottenstein Tehillim, 92:4, the verse being:
"Upon a ten-stringed * instrument and upon lyre, with singing accompanied by
harp." [* utilizing new tones]

NADA BRAHMA - Sanskrit, "sound [is the] Godhead"

"God utters me like a word containing a partial thought of himself." -Thomas
Merton

LILA - Sanskrit, "divine play/sport/whimsy" - "the universe is what happens
when God wants to play" - "joyous exercise of spontaneity involved in the art
of creation"