Examples

I've just been listening to the Werntz 10a,

and it just as I suspected - lots of creeping about. Nevertheless, I found
the style akin to some Schoenberg, but unless my ear was mistaken there were
several interesting sonorities of the traditional variety within the harmony
- and b12 the last 1/8th through to b13 1st 1/4 there was a distinctly
'tonal' sound to the voice leading.

was this intended? I found the vibrato quite 'rich' and gave the music a
smeared sensation like you get listening to Berg's Quartet Op.3, only more
so. Very intense, not dislikeable, but not strictly truly 'microtonal
composing with the tones of the motif', either.

Mark

> From: tuning@yahoogroups.com
> Reply-To: tuning@yahoogroups.com
> Date: 8 Jul 2002 09:26:23 -0000
> To: tuning@yahoogroups.com
> Subject: [tuning] Digest Number 2143
>
> Despite the occasional hostilities and personal
>> attacks, I am still extremely grateful for the thought that some of
> you are giving to the ideas my essay.
>
> ***Well, I studied through it carefully twice, and would also like to
> add that the musical *examples* are now on the Perspectives of New
> Music Site!:
>
> http://perspectivesofnewmusic.org/soundexx.html
>
>
> (Don't worry about the XX at the end of this... whoops, sorry, Paul.
> Paul wants me to limit my "sophomoric" er.. "humor..." :) )