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JI Color code

🔗Pierre Lamothe <plamothe@aei.ca>

3/12/2002 10:57:47 PM
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As you could know, I work now on Cortisone project: few words but tons of graphics. Here is the first
version of my JI color code. You could see later how coding max prime is a powerful analytical tool.

Comments welcomed. I could give details and produce bmp (651k) for Paint users. With less than 4k
the pdf attached keeps high resolution in zooming.

Pierre

🔗Orphon Soul, Inc. <tuning@orphonsoul.com>

3/13/2002 9:23:32 AM

On 3/13/02 1:57 AM, "Pierre Lamothe" <plamothe@aei.ca> wrote:

> As you could know, I work now on Cortisone project: few words but tons of
> graphics. Here is the first version of my JI color code. You could see later
> how coding max prime is a powerful analytical tool.

Yeah that second one is the same thing I was doing, only counterclockwise.
I had the 3:2 at a green and the 5:4 around blueberry. But I too had the
1:1 at red.

marc

🔗Pierre Lamothe <plamothe@aei.ca>

3/13/2002 5:17:51 PM
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Marc,

These two color codes seem to illustrate the difference between two approachs. If structural harmony
is restricted to gothic 3-limit, then the remains may be appreciated as "pitch width" continuum and
pastelized harmony, but if structural harmony reach 11-limit, with extension harmony using 13 and 17,
intervals have to be discriminated by the global relations in the system.

Here are 13 intervals in ancient (heptatonic) class of "thirds" coded in my JI color code and in your code,
for which I used HLS with H = 360 - (cents x 360 /1200), L = 70%, S = 100%.

Pierre