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Re: Microtonal Synthesis web site update

🔗Drew Skyfyre <skyfyre@xxx.xxxx>

1/17/1999 11:03:38 AM

>Some Yamaha digital pianos do have full keyboard scales, but the tuning is
>still limited to +-100 cents per note. This doesn't seem much more useful
>than the octave scales with the -64 +63 cent tuning.

Yup. Personally, I think it's quite sensible to limit sample-based
"synths",
i.e. "romplers", to 12-note tunings, and the +63/-64 system (XG & GS)
is neat. I find samples can begin to sound quite terrible if shifted too
much
from their original pitch. And many of these instrument have less perfect
samples, the Yamaha XG devices cram the 128 GM sound set into 4MB !

But (!), there is a work around on XG and GS instruments (GS can hold
individual tunings on individual channels, oui ?) :
Simply use your keyboard's splitting function, assign each split region
to a different channel, and work out the (rather fun) puzzle of
tunings the tables to get different pitches in each keyboard "octave".
It works for many tunings.

>I have also added tables of various microtonal scales (equal tempered, just
>intonation, well tempered, world ) to my web site with tuning values in
>cents, interval names, and deviations from closest just intervals.
Hey, thanks fo these, John. Very handy. I was quite happy to stumble
across
them after accidentally clicking on my bookmark for your site.

- Drew

🔗Gary Morrison <mr88cet@xxxxx.xxxx>

1/19/1999 10:42:07 PM

Drew Skyfyre wrote:

> I find samples can begin to sound quite terrible if shifted too much
> from their original pitch.

I generally end up making different sounds for each tuning, but that's
mostly because the ASR-10 makes it difficult to do otherwise.