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Re: ooops on that diminished scale!

🔗Robert C Valentine <BVAL@IIL.INTEL.COM>

7/31/2001 2:17:08 AM

Bobnik said and Paul replied...

> > For instance, 1 2 b3 #4 5 6 b7 is the fourth mode of harmonic
> > minor (all alterations are in West-speak, related to a mythical
> > major scale... ignore tuning for a second (hey, stop hitting)).
> >
> > Someone might say, "oh, thats the diminished scale
> > [1 2 b3 4 #4 5 6 b7]
>
> Umm . . . wait a minute. The diminished scale is either
>
> [1 2 b3 4 #4 #5 6 7]
>
> or
>
> [1 b2 b3 3 #4 5 6 b7]
>

Nice catch, I mixed the critturs together. Nonetheless, the
point was that some may consider a 3-step-size scale as being
from a parent 2-step-size scale (which I called diatonic)
if the Large stepsize is equal to the Medium + small.

> > and you never played the fourth degree". In
> > this case, its back to being diatonic.
>
> You mean back to being MOS?
>

I meant diatonic (as in 2-step-size). The diminished scale
isn't MOS is it? (Or else I've made hash out of another
perfectly good definition).

Bob Valentine

🔗Paul Erlich <paul@stretch-music.com>

7/31/2001 11:44:05 AM

--- In tuning@y..., Robert C Valentine <BVAL@I...> wrote:

> I meant diatonic (as in 2-step-size). The diminished scale
> isn't MOS is it?

I didn't think so for a long time, but I've been set straight -- it
IS MOS. The 1/4-octave is the "period" or interval of repetition,
instead of the usual full octave.

🔗Paul Erlich <paul@stretch-music.com>

8/1/2001 1:17:51 PM

--- In tuning@y..., jacky_ligon@y... wrote:

> This is a TOTALLY AMAZING revelation!! I've been MOSsing for a long
> long time then - because this is one of my favorite 12 tET modes!
> Especially on the guitar!
>
> WOW!
>
> Jacky Ligon

It's very common in jazz and 20th century classical music . . . I've
mentioned that it's interesting in tunings such as 28-tET, where you
have _seven_ transpositions of the scale, as opposed to the only
_three_ you have in 12-tET . . .

🔗BVAL@IIL.INTEL.COM

8/1/2001 2:29:38 PM

--- In tuning@y..., jacky_ligon@y... wrote:
> --- In tuning@y..., "Paul Erlich" <paul@s...> wrote:
> > --- In tuning@y..., Robert C Valentine <BVAL@I...> wrote:
> >
> > > I meant diatonic (as in 2-step-size). The diminished scale
> > > isn't MOS is it?
> >
> > I didn't think so for a long time, but I've been set straight --
it
> > IS MOS. The 1/4-octave is the "period" or interval of repetition,
> > instead of the usual full octave.
>

Got it Paul, pretty sneaky.

> This is a TOTALLY AMAZING revelation!! I've been MOSsing for a long
> long time then - because this is one of my favorite 12 tET modes!
> Especially on the guitar!
>
> WOW!
>
> Jacky Ligon
>

This way of making the diminished scale MOS by treating the
1/4 octave as a cell is similar to what I saw in your scale
with the 318c cell.

Bob

🔗BVAL@IIL.INTEL.COM

8/1/2001 2:29:41 PM

--- In tuning@y..., jacky_ligon@y... wrote:
> --- In tuning@y..., "Paul Erlich" <paul@s...> wrote:
> > --- In tuning@y..., Robert C Valentine <BVAL@I...> wrote:
> >
> > > I meant diatonic (as in 2-step-size). The diminished scale
> > > isn't MOS is it?
> >
> > I didn't think so for a long time, but I've been set straight --
it
> > IS MOS. The 1/4-octave is the "period" or interval of repetition,
> > instead of the usual full octave.
>

Got it Paul, pretty sneaky.

> This is a TOTALLY AMAZING revelation!! I've been MOSsing for a long
> long time then - because this is one of my favorite 12 tET modes!
> Especially on the guitar!
>
> WOW!
>
> Jacky Ligon
>

This way of making the diminished scale MOS by treating the
1/4 octave as a cell is similar to what I saw in your scale
with the 318c cell.

Bob