Ted Mook

Good, PRACTICAL, information from cellist Ted Mook, who is a staple
on the New York new music scene, as you know. Our own group,
Composers Concordance has worked with him as well..

From his page on 72-tET postscript fonts:

"The transcription of Harry Partch's Seventeen Lyrics of Li Po was
the impetus for the creation of this font, since Partch's ratios are
difficult to read, and Ezra Sims' 1/12-tone system of microtonal
diacriticals is the only one I know that accurately and intuitively
resolves Partch's 43-tone Just system into musician-readable
notation."

Now we're getting someplace...

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Joseph Pehrson