Subject: Re: the sound of a ?distant? horn...

[Paul E:]
>>Many people on this list (Johnny Reinhard, John deLaubenfels)
>>effectively have this freedom

[Dan Stearns:]
>I know you said "effectively", but I don't think John deLaubenfels is
>a good example here at all. John's program is very much designed to
>*not* wind up at many many places in the continuum... which is all
>well and fine (and in fact exactly on the path to what John ideally
>wants), but it is a big difference aesthetically from someone like
>Johnny Reinhard when it comes to the pitch continuum.

Though it's true that I target places in the pitch continuum differently
from the way Johnny Reinhard does, I do make free use of fine gradations
in pitch space; I think that is Paul's only point.

JdL