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RE: [tuning] Vincentino for Dummies

🔗Paul H. Erlich <PERLICH@ACADIAN-ASSET.COM>

9/13/2000 6:47:20 PM

Joseph wrote,

>I know there have been several extensive posts on this topic... but
>I'm trying to understand if I am on the right track... In
>Vincentino's tuning, vertical sonorities... or at least a sizable
>percentage of them are JUST, and the ROOTS are tuned in meantone.

It's spelled Vicentino, and that's right.

>But, how could that possibly come out right??

How could it possibly come out wrong? I'm not sure what the difficulty is.
For music with triadic harmony, you only need to augment the usual 1/4-comma
meantone chain, used for the roots and major thirds, with an exact copy of
that chain 1/4 comma higher, used for the fifths and minor thirds. Then all
the triads come out in JI within themselves.

🔗Joseph Pehrson <josephpehrson@compuserve.com>

9/13/2000 8:03:37 PM

--- In tuning@egroups.com, "Paul H. Erlich" <PERLICH@A...> wrote:

http://www.egroups.com/message/tuning/12728

> Joseph wrote,
>
> >I know there have been several extensive posts on this topic...
but
> >I'm trying to understand if I am on the right track... In
> >Vincentino's tuning, vertical sonorities... or at least a sizable
> >percentage of them are JUST, and the ROOTS are tuned in meantone.
>
> It's spelled Vicentino, and that's right.
>
> >But, how could that possibly come out right??
>
> How could it possibly come out wrong? I'm not sure what the
difficulty is. For music with triadic harmony, you only need to
augment the usual 1/4-comma meantone chain, used for the roots and
major thirds, with an exact copy of that chain 1/4 comma higher, used
for the fifths and minor thirds. Then all the triads come out in JI
within themselves.

Gotcha... Thanks! This is obviously where the "double keyboard"
comes in...

_______ ___ __ __
Joseph Pehrson

🔗Joseph Pehrson <pehrson@pubmedia.com>

9/14/2000 11:19:03 AM

--- In tuning@egroups.com, "Paul H. Erlich" <PERLICH@A...> wrote:

http://www.egroups.com/message/tuning/12728

> For music with triadic harmony, you only need to augment the usual
1/4-comma meantone chain, used for the roots and major thirds, with
an
exact copy of that chain 1/4 comma higher, used for the fifths and
minor thirds. Then all the triads come out in JI within themselves.

Ok... so this is remedial...

I thought a 1/3 comma chain is what made the MINOR thirds just. Why
wouldn't it be a superimposed 1/3 comma chain rather than a 1/4 comma
chain?? And wouldn't the 1/3 comma chain be BELOW the 1/4 comma
chain since more of the comma has been subtracted??

woeboy...
_________ ____ __ __ _
Joseph Pehrson