"magic temperament" example

There is buttloads of it in my 41-edo work, but I couldn't find a simple and plain enough example of using the equation of 36/35 and 25/24 to differentiate between harmonic and "dominant" sevenths- doing this is buried in all over the place. So I sprudeled out an example, using 22 MOS of 41.

I added two pitches from 41 to round out to a easier-to-use 24 and try to avoid the flat-footed pseudo-tempering to which I earlier referred. Still there wound up an instance of the Pythagorean third masquerading as the 6/5, which is going with the flow of the MOS but still irks me. No biggy though, the point of the example is made, in the first few seconds in fact.

http://soundcloud.com/cameron-bobro/magical-thinking