Utonal/Otonal comparisons

> And then, a transposition of the whole chord up two octaves removes
> (for me, at least) all the ambiguity -- the subharmonic is just not a mistuned
> version of the harmonic, but a distinct consonance of it's own.
>
> If there is any more interest in this topic, I'll puts some .wavs up on my web
> page aftern I return to Frankfurt on Sunday evening...

It would be interesting to listen to this as a "contrast" to the example
you already posted...

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Joseph Pehrson