Bilbiography (C-D)

Add to the bibliography, the following references :

-C-

CAMPBELL, I. B. : Wyschnegradsky's Quarter-toned Piano, The Musician, New York, 1937,p 92.
CANRIGHT, David : Rational notation. One/One vol I n 1, 1985, San Francisco
------ : Pentatonics I have known. One/One vol I n 2, 1985, San Francisco.
------ : On the Piano retuning. One/One Vol I n 4, 1985, San Francisco.
------ : Harmonic-Melodic diagrams. One/One Vol4 n 2, 1988, San Francisco.
CASTANET, P. A. : Les satellites de Dusapin ou le solipsisme musical, Paris, Cahiers du CIREM, 12-13, 1989, pp 53-72.
CASTELLENGO, M. : Sons multiphoniques aux instruments vent, Rapport IRCAM n 34, Paris, 1982.
CHASE, Gilbert : Harry Partch. The American Composer speaks, Baton Rouge, Lousiana University Press,1966, p 193-200.
CHEMILLIER, Marc : Mono de libre et musique RAIRO, Informatique th orique et applications, vol. 21 n 3 , 1987, p 341-371, et vol. 21, n 4, p 379-418, Paris, Gauthier Villars.
COSTERE, Edmond : Lois et styles des harmonies musicales, Paris,PUF, 1954.
------ : Mort ou transfiguration de l'harmonie, Paris, d. PUF, 1962.
COWELL, Henry et Sidney : Charles Ives and His music, New York ,1955.

-D-

De SCHLOZER (Boris) : R flexions sur la musique en quarts de ton. La Revue Musicale, Novembre 1924, pp 71-74.
DEUTSCH, Leonhard : Ist eine Vierteltonmusik m glich ? . Melos n 34, 1967, p 62-65.
DOMLING, Wolfgang : Revolution r wider Willen : Feruccio Busoni und sein Entwurf einer neuen sthetik der Tonkunst. Neue Zeitschrift f r Musik, n 123, 1973, p 564-569.
DRAAF, Martin : Die enharmonische Gitarre, Mikrot ne II, Innsbruck, Edition Helbling, 1988, p 73-86.
DRUMMOND, Dean : Zoomoozophone Primer. Ear Magazine East, 1983, p 20-21.


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