Tuning List CD comments

John Loffink wrote [1601.4:]

> 2. Some kind of graphics for the front jacket are
> a virtual necessity for retail. Looking at a local
> store with a number of independent releases, full
> color seems to be the norm. If this is to be an ongoing
> series, then some sort of consistent format would be
> beneficial as well.

I agree, and suggest a more colorful version of the
12-in-a-circle-with-a-line-thru-it ("no 12's allowed")
used as a background on John Starrett's webpage.

We have a copy of the CD at Sonic Arts, and I'd like to
say that I'm impressed with it. All the music is good,
there's a nice variety of styles (which I think is
important), and it's well-produced.

My personal favorites are Bill Alves's piece (which I
can't get out of my head), and Starrett's hilarious
19-eq rock tunes.

[Loffink:]

> 4. The following may not go over too well, but I
> received a very direct comment from one retailer
> that a sampler cd needs to have a consistent feel.
> If a few tracks sound out of place, the listener
> is tempted NOT to listen to the cd repeatedly. I
> know we pride ourselves in being a varied lot, but it
> might be more beneficial in the long run for cds to
> specialize in certain areas, say one is avant garde,
> the next pop oriented, the next world music, etc.
> The hard part would be getting enough participants
> for each "category," and in some cases determining
> which category pieces should fit into.

Unfortunately, this is true. Personally I applaud
the variety, but having worked as both a radio DJ and
in record-store sales, I can attest to the fact that
people will shy away from something that goes "out
of format". This is probably a result of social
conditioning by what radio stations and record
companies expose us to, and it is deplorable, but
sadly, it is a fact. It probably is a good idea to
make "theme" CDs as suggested by Loffink.

- Joe Monzo
monz@juno.com
http://www.ixpres.com/interval/monzo/homepage.html

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On Fri, 4 Dec 1998, Paul H. Erlich wrote:
> Partch never depicted it in this way,
> though; Erv Wilson may have been the first, though I did it
> independently of him.

I'm sure a bunch of us did. I certainly hadn't seen a triangulated 3-D
lattice in the tuning literature before I drew my first one. This seems
to be another one of those ideas Joe Monzo was talking about, that make
so much sense we keep reinventing them.

--pH http://library.wustl.edu/~manynote
O
/\ "'Jever take'n try to give an ironclad leave to
-\-\-- o yourself from a three-rail billiard shot?"

NOTE: dehyphenate node to remove spamblock. <*>