TD 1570: further discussion of consonance

Margo Schulter wrote:

> Anyway, I'd say that musical grammar, categorical
> perception, and custom can explain a lot about why
> perceptions of consonance are fluid and flexible,
> as well as often a matter of some divergence in views,...

There's an excellent book expoloring the role of the
subjective in defining musical perceptions of consonance
and tonality, "Tonality in Western Culture" by Richard
Norton, 1984. [sorry I don't have the publisher info]

Many thanks to Margo for really fleshing out something
that I only alluded to in order to make a point.

- Joe Monzo
monz@juno.com
http://www.ixpres.com/interval/monzo/homepage.html

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Kraig Grady writez:

>Dear Paul and other Wilson Viewers;
> I realize I can put more on my website than I thought so I will be
>rescanning xen 1-6 again at as higher rate. I put up xen 10 unanounced
>yesterday at a slightly higher rate . Please send your feedback.

I haven't seen these pages since I accidentally discovered this
new section of the North American Embassy of Anaphoria Island,
but consider this:

Consider using Microsoft Word 97 to create an Adobe PDF (Adobe Acrobat)
file. As a test, I took a 20k web page and it's three jpeg
files totaling a whopping 3.2 megs (scanned at 600 dpi!!!)
and created a PDF file = 88k.

Netscape treats the file likes a web page and the files
are read with the Adobe Acrobat plugin. Acrobat is
available on the net as a free download.

Stockhausen keeps his catalog and list of works on line
in this way. I've seen a couple of other web pages set up this way too.

A good solution? I think so.


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End of TUNING Digest 1571
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