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Triple Just & AFMM day 1

🔗Xou Oxno <xouoxno@...>

5/8/1998 3:43:00 AM
So this is what I get:
05/08/1998 03:10:30AM
Bill Flavel's (triplejust@hotmail.com)
tuning

DEGREE RATIO CENTS

1 C 1 / 1
2 25 / 24 71 -29
3 D 10 / 9 182 82
4 9 / 8 204 4
5 E 5 / 4 386 -14
6 F 4 / 3 498 -2
7 25 / 18 569 -31
8 G 3 / 2 702 2
9 25 / 16 773 -27
10 A 5 / 3 884 -16
11 16 / 9 996 -4
12 B 15 / 8 1088 -12
C 2 / 1 1200

Like someone pointed out, there's no m3.

I will not have a chance to take a serious look at this 'till
some time this weekend. I wanted to write full reviews of
the American Festival of Microtonal Music (5/7-8/98) NYC
and hang out 'till dawn talking microtones.



It's 3:30 am. The short report:

Both Sasha and Johnny Reinhard are very light on their feet.

Sasha's 1/2 hour Atom Turning in the Sun of Eternity exceded
my expectations - 20 tone 7 limit JI.

John Schneider's performance of Lou Harrison's Suite #2 - can you go
wrong here???!!!

Virgil Morfield's (Slight Return) - 48tet, glisses

and Johnny Reinhard's Adam and Eve - another theater/polymicrotonal
like last year's Odysseus. As good or even better.
Johnny and Christina Coppola are naturals with fig leafs.


Hopefully folks can still make Friday night's show...5/8/98
8pm, Columbia U., St. Paul's Chapel


and now the weather...


* D a v i d B e a r d s l e y
* xouoxnoREMOVE-THIS@virtulink.com
*
* J u x t a p o s i t i o n E z i n e
* M E L A v i r t u a l d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

🔗mr88cet@texas.net (Gary Morrison)

5/8/1998 12:40:18 PM
>Is it possible to set up Just Intonation in the MIDI section of Logic
>Audio Discovery Version 3.0?

I'm familiar with Logic and Logic Audio, but not with Logic Audio
Discovery. I've been off the past year and a half learning the saxophone
so that I can use my WX-11 more effectively for Logic-Audio-based
sequencing, so I haven't been keeping up with Emagic's latest products.

But anyway, if 'Discovery is anything like Logic and Logic Audio
themselves, then the answer would probably be much more a function of your
particular sound generator than of the program.