Csound

Here is a sample score that I used for one of my recent songs.

---------------------------------jazzy.orc:

sr=44100
kr=441
ksmps=100
nchnls=2

instr 1
inote cpsxpch p5, -10, 2, 10.301 ;read the octave.degree notation from p5
in the sco, and get the corresponding ratio value from gen table 10. The
octave ratio is 2, and the base frequency is 10.301 (e). So now you have a
hertz value.
aenv oscil p4, 1/p3, 7
a1 oscil aenv, inote, 8
a2 butterbp a1, inote, 10
outs1 a2
endin


instr 2
inote cpsxpch p5, -10, 2, 10.301
ibass = inote/1002

aenv oscil p4, 1/p3, 7
a1 grain aenv, ibass, 20, 0, 0, 256/inote, 1, 6, 2
a5 butterhp a1, inote
a6 butterlp a5, inote*3
outs2 a6
endin

----------------------------------JAZZY.sco:

f1 0 1024 10 1 ;these used to be sampled sounds, so now they're just sine
waves
f2 0 1024 10 1
f3 0 1024 10 1
f6 0 1024 20 1
f7 0 512 7 1 1 180 200 200 50 0 ;the envelope table
f8 0 1024 10 1

f10 0 32 -2 1 1.02083 1.05 1.10204 1.142857 1.166666 1.225 1.25 1.285714
1.3125 1.33333333 1.428571429 1.469387755 1.5 1.555555555 1.6 1.6333333333
1.7142857 1.75 1.928571429
;use GEN 2 to create a table of ratios. Make the "2" negative, so the
compiler doesn't scale everything between 0 and 1 (which will screw up the
ratios). These are just intoned ratios with a limit of 7. You can put
them in any order, but these are ascending.

t 0 100 ;tempo

i1 1 .594 8000 5.071 ;when writing p5, I found that csound has a bug, in
that you've got to add .001 to the total, for it to pick up which note you
mean. P5 is like a normal octave.degree notation, only in that the amount
of degrees is as big as your gen table that specifies the scale.
i1 + .577 8000 5.071
i1 + .561 8000 5.081
i1 + 1 8000 5.081
i1 + 1 8000 5.101