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Ten equal tunings

🔗"Paul H. Erlich" <PErlich@...>

2/26/1998 1:00:00 PM
}PS...where is everybody? I miss the action..

I've been thinking hard about which tunings I would have if I had
unlimited resources for guitars and generalized keyboards. As I mention
in my paper, I don't like equal temperaments with more than 34 notes per
octave, since it becomes possible to approximate the same interval in
more than one way (assuming the ear has a 1% tolerance), which is more
confusion than I want to deal with. So I came up with the following
symmetrical scheme:

7, 10, 12, 15, 19, 22, 26, 29, 31, 34

Notice that subtracting any of the numbers above from 41 gives another
one of these numbers.

A brief summary:

7: The Thai tuning.
10: Fun with neutral triads and 5tET subsets (there was an article in
Ear Magazine East on 10tET).
12: For all those paid gigs.
15: Read Blackwood, "Modes and Chord Progressions in Equal Tunings",
Perspectives of New Music Vol. 29 No. 2 (1991) pp. 166-200.
19: Read Mandelbaum, Haverstick, Yasser, Yunik & Swift, etc.
22: Read my paper (a slightly messed up version is at
http://www-math.cudenver.edu/~jstarret/microtone.html under "Notes on
Microtonality"). It describes 10-note scales that are 7-limit analogues
to the 5-limit diatonic scale. Also the first ET consistent through the
11-limit.
26: A meantone tuning that commits all the errors of 12 in the opposite
direction. Amazingly, two diatonic scales a half-octave apart contain
all the septimal completions of each other's consonant triads. Also the
first ET consistent through the 13-limit.
29: The purest 3-limit intervals of any ET below 53. Also the first ET
consistent through the 15-limit.
31: Read Fokker, etc. Approximates 7-limit JI and 1/4-comma meantone
very well.
34: Approximates 5-limit JI very well, perhaps the best of these tunings
for Indian music. Also contains 17tET which contains Arabic scales.


SMTPOriginator: tuning@eartha.mills.edu
From: Aline Surman
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