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Tuning of decatonic modes

🔗gbreed@cix.compulink.co.uk (Graham Breed)

1/28/1998 11:19:05 AM
I've worked out that Paul Erlich's Pentachordal modes can be
written as 10 JI notes plus three commas of 50/49. This
interval is larger than a syntonic comma, so some tempering is
advisable, but it should be small enough for the scales to
function as 10 pitch classes.

As 10 fixed pitches, the comma of 50/49 means that the tritones
10/7 and 7/5 must be equal. With just octaves, they must both
be an exact half-octave. As these are the worst 7-limit
intervals in 22-equal, that means there is no better way of
tuning decatonic modes unless you allow more than 10 notes.


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Can you tell me more about Erv's mutations?


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