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cheezy 1/2 interactive project

🔗BUYO-BUYO-IGOR <igor@...>

12/29/1997 2:46:51 AM
BUYO-BUYO-IGOR@SaRiGaMa's Oil Vending Orchestra...writing..

I've started a cheezy project that asks for the site-visiters to
contribute a pitch bend data for each diatonic note.
This project is not fully interactive but I am planning to upload the
MIDI thangs and Sound-file thangs on my site and will report about
that to the contributors.
Please visit http://www.dtinet.or.jp/~buyobuyo/enq/enquete,html
to see whats going on.

BUYO-BUYO-IGOR
http://www.dtinet.or.jp/~buyobuyo
gianthead@bigfoot.com


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🔗mr88cet@texas.net (Gary Morrison)

12/29/1997 6:31:35 PM
>I'm not sure what you had in mind, but it doesn't
>seem likely that you really mean that there's no difference
>between vertical and horizontal harmonies.

That in turn touches upon the question of whether it's really wise to
substitute the word "dissonant" for "discordant", as so many of us do.
Dissonance is a measure of the need to resolve, which is context-sensitive.
Discordance on the other hand, is a measure of harmonic tension of a chord
in isolation, which is inherently context-INsensitive.

So a G major chord and a C major chord are equally discordant (that
being rather NONdiscordant), but in the key of C major, a G chord is much
more dissonant than a C chord.

(And just why the heck is there no antonym for "discordant"?! @#$%!)

In short then, the case for the idea that horizontal and vertical
aspects of music can't be taken in isolation, is based upon the premise
that dissonance is every bit as much a function of its place in the
counterpoint as it is upon its discordance. That premise is, at least
historically speaking, totally undeniable. But perhaps it is debatable
with respect to this particular discussion, or with respect to its
relevance to, say, atonal music.


SMTPOriginator: tuning@eartha.mills.edu
From: mr88cet@texas.net (Gary Morrison)
Subject: RE: 19, 22, etc
PostedDate: 30-12-97 03:58:25
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🔗Paul Hahn <Paul-Hahn@...>

12/30/1997 4:23:05 AM
On Mon, 29 Dec 1997, Gary Morrison wrote:
> (And just why the heck is there no antonym for "discordant"?! @#$%!)

?? What's wrong with "concordant"?

--pH http://library.wustl.edu/~manynote
O
/\ "Do you like to gamble, Eddie?
-\-\-- o Gamble money on pool games?"

NOTE: dehyphenate address to remove spamblock. <*>


SMTPOriginator: tuning@eartha.mills.edu
From: Paul Hahn
Subject: Re: thanks re consistancy level ; MOS generators question
PostedDate: 30-12-97 13:36:18
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🔗Pat Missin <patm@...>

12/30/1997 4:55:12 PM
Gary Morrison wrote:
>
> (And just why the heck is there no antonym for "discordant"?! @#$%!)

What about "concordant"?

-- Pat Missin.


SMTPOriginator: tuning@eartha.mills.edu
From: Paul Hahn
Subject: Re: motherlode?
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🔗mr88cet@texas.net (Gary Morrison)

12/30/1997 6:54:30 PM
>?? What's wrong with "concordant"?

That would seem logical, but whenever I use it to mean the opposite of
discordant, nobody seems to make the connection...


SMTPOriginator: tuning@eartha.mills.edu
From: mr88cet@texas.net (Gary Morrison)
Subject: Re: Loded
PostedDate: 31-12-97 05:05:31
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