Surrogate Kithara

Jonathan M. Szanto wrote:
>But Bob, answer me this: the SK was on a tripod stand with wheels, and when
>you sat to play you could scurry all across the stage while executing the
>part -- can this be done on any production model pedal steels? :)

Laughing out loud! Actually, one of Buddy Emmons' album covers shows a
cartoon of him zipping around on a wheeled steel. The name of the album is
'Four Wheel Drive".

Seriously, I'll have to look for "Eleven Intrusions". I'd like to hear some
decent lap steel parts from Harry Partch.

-b0b-

// quasar@wco.com
// http://wco.com/~quasar


SMTPOriginator: tuning@eartha.mills.edu
From: "Fred Kohler"
Subject: Tuning Standards?
PostedDate: 24-12-97 17:26:58
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I think Fred Kohler's comments spurred partly by Gregg Gibson's ideas
are perhaps them most astute yet!

>There is a
>lot of disagreement as to how to do so. I think a lot of this has to do
>with personal taste. ...
>Sometimes people will take opinions ultimately based on personal taste and
>build elaborate theories as to why theirs is best.
>Is ther a way for a multiplicity of tunings to co-exist in a way that
>performers from different camps can play together or is there a need for a
>"standard" tuning for practical reasons such as instrument manufacturing and
>performance?

I personally think that there's a great deal of need for microtonalists
to do three things:
1. Explore new tuning possibilities actively.
Some of us have lamented how many theorists and how few practical
musicians there were in the field. I think that what matters the most
is activity. As Neil H. has pointed out, there are some theorists out
there (Erv Wilson for example) who come up with some very insightful
ideas for composers and performers to turn into musical reality.
2. Discuss them, and compare their qualities, and our experiences with them.
Though most of us agree that there should be no one single standard
tuning in the future, some ideas relating to new tunings are more
powerful than others. I for one have come up with a fair number of
dumb ideas along with the good ones. The only ways to find out which
of them are hot and which are not, are discussion and experimentation.
3. Specialize in what we have the most talent for.
Many of us, and I'm certainly among them, are sometimes guilty of trying
to do too many pieces of the pie. There's probably only so much value
in, for example, Erv Wilson working to become a gig-a-day performer.
That would take a lot of time away from his idea-spinning talents.
Conversely, although Neil Haverstick could conceptually put his guitar
down for couple months to devise a new tuning theory, that would be at
the regrettable loss of two-months-worth of pure microtonal-music magic!


SMTPOriginator: tuning@eartha.mills.edu
From: mr88cet@texas.net (Gary Morrison)
Subject: Re: TUNING digest 1278
PostedDate: 27-12-97 03:40:49
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