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Well thankyou

🔗Peter.Blasser@oberlin.edu

9/27/1997 11:57:25 AM
All this information on tuning is very very interesting, and I think that
I will just go ahead with a 22tet refretting. I hope it works for
experimental music along with ancient greek tetrachord species.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
[Peter Blasser
[Oberlin College Mailroom Box #277, 135 W.Lorain St.,
[Oberlin, Ohio, 44074-1081.
[Peter.Blasser@Oberlin.edu . . . .
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Subject: Re: lumma, TET
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🔗"Paul H. Erlich" <PErlich@...>

9/29/1997 12:30:48 PM
>>All of us have no doubt noticed that the strangeness/poignancy/difficulty of
>>intervals increases as higher primes are introduced into ratios, up to and
>>including 13.
>
>I would replace "prime" with "odd."
>
>>After that, 17 and 19 are fairly tame/consonant sounding and
>>relatively easy to work into the rational scale fabric,
>
>I'd chalk that up to diatonic brainwashing.


SMTPOriginator: tuning@eartha.mills.edu
From: "Paul H. Erlich"
Subject: RE: Well thankyou
PostedDate: 29-09-97 21:31:55
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🔗mr88cet@texas.net (Gary Morrison)

10/9/1997 7:01:49 AM
>All of us have no doubt noticed that the strangeness/poignancy/difficulty of
>intervals increases as higher primes are introduced into ratios, up to and
>including 13. After that, 17 and 19 are fairly tame/consonant sounding and
>relatively easy to work into the rational scale fabric, then with 23 it
>starts getting pretty bizarre-sounding again.

Another explanation for this is that 17 and 19 also provide some close
approximations to 12TET intervals. So they might sound comparatively
ordinary in part merely because we're used to them. That and because
they're pretty close to 3- and 5-based intervals, so 3 and 5 "win".


SMTPOriginator: tuning@eartha.mills.edu
From: mr88cet@texas.net (Gary Morrison)
Subject: Re: dynamic JI
PostedDate: 09-10-97 16:02:57
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