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true story...a sign?

🔗DMB5561719@aol.com

9/1/1997 12:20:23 PM
I was driving up the Garden State Parkway listening
to the NewBand play Harry Partch. I pull up to the
toll both. On the bin where I have to toss the token,
11/8 is scrawled on the plastic.

I wonder if some hitchhiker wrote that?


* . * . . D a v i d B e a r d s l e y .. dmb5561719@aol.com *
* .. * ... .* .... *.. ..
* I M M P & B i i n k! m u s i c * . . *
. .. * .. .. * .
J u x t a p o s i t i o n Ezine * * . .. .*
. .*.. . .. . . .*. . . . . .. * .
http://www.virtulink.com/immp/lookhere.htm * . . .
.. .*.. * . . . .* ..*. . .. . *.



SMTPOriginator: tuning@eartha.mills.edu
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Subject: Re: testing an experimental tuning program
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🔗mr88cet@texas.net (Gary Morrison)

9/4/1997 2:04:40 AM
>A "syntonic meantone temperament" -- or meantone temperament, for short
>-- is one in which there is NO pitch difference between the dominant of
>the dominant and the submediant of
>the subdominant.

Hmmm... Interesting concept.

Considering that everything in a meantone tuning has to be defined in
terms of some number of fifths above or below the tonic, I find it hard to
imagine a meantone tuning where the two would *NOT* be synonymous. A
submediant would be defined as three fifths up, and of course three up from
one down is by necessity the same as two up.



SMTPOriginator: tuning@eartha.mills.edu
From: gbreed@cix.compulink.co.uk
Subject: RE: Tuning of the 2nd sruti
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