back to list

World Harmony Project Tuning Digest 1145

🔗"Andrew L. Kaye" <androsky@...>

8/2/1997 12:18:34 PM
--------------E35D027D98FDCB5804E24208
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit

I was interested in the comments of Denny Genovese, and the "World
Harmony Project" he directs. I visited their site at
http://www.afn.org/~sejic and found these comments: "JUST INTONATION is
a musical term. It is the practice of tuning musical intervals by means
of whole-number ratios of frequencies. This allows the production of
chords and scales which are more resonant and have finer resolution than

those produced in the more common, equal tempered tuning system. This is

the natural tendency of singers, string players and any other musician
who is not bound by the confines of frets or keys that force the use of
non-just intervals. It is therefore the starting place from which all
indigenous musical traditions began." [Italics mine]. I am wondering
whether Denny or any other contributor to this list would be interested
in providing evidence for these last statements, as they apply to all
musicians in all societies at all times, from the beginning of human
(and animal?) history. Thanks.

--------------E35D027D98FDCB5804E24208
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit


I was interested in the comments of Denny Genovese, and the "World

Harmony Project" he directs.  I visited their site at

http://www.afn.org/~sejic and found these comments:
"JUST INTONATION
is

a musical term. It is the practice of tuning musical intervals by means

of whole-number ratios of frequencies. This allows the production of

chords and scales which are more resonant and have finer resolution
than

those produced in the more common, equal tempered tuning system. This
is


the natural tendency of singers, string players and any other musician

who is not bound by the confines of frets or keys that force the
use of


non-just intervals. It is therefore the starting place from which
all


indigenous musical traditions began." [Italics mine]. 
I am wondering

whether Denny or any other contributor to this list would be interested

in providing evidence for these last statements, as they apply to all

musicians in all societies at all times, from the beginning of human

(and animal?) history.  Thanks.

--------------E35D027D98FDCB5804E24208--



SMTPOriginator: tuning@eartha.mills.edu
From: sejic@nersp.nerdc.ufl.edu
Subject: Re: TUNING digest 1145
PostedDate: 02-08-97 19:20:28
SendTo: CN=coul1358/OU=AT/O=EZH
ReplyTo: tuning@eartha.mills.edu
$UpdatedBy: CN=notesrv2/OU=Server/O=EZH,CN=coul1358/OU=AT/O=EZH,CN=Manuel op de Coul/OU=AT/O=EZH
RouteServers: CN=notesrv2/OU=Server/O=EZH,CN=notesrv1/OU=Server/O=EZH
RouteTimes: 04-08-97 13:19:38-04-08-97 13:19:39,04-08-97 13:18:12-04-08-97 13:18:12
DeliveredDate: 04-08-97 13:18:12
Categories:
$Revisions:

Received: from ns.ezh.nl by notesrv2.ezh.nl (Lotus SMTP MTA v1.1 (385.6 5-6-1997)) with SMTP id
C12564E9.003E1C5C; Mon, 4 Aug 1997 13:18:25 +0200
Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA00368; Sat, 2 Aug 1997 19:20:28 +0200
Date: Sat, 2 Aug 1997 19:20:28 +0200
Received: from ella.mills.edu by ns (smtpxd); id XA00327
Received: (qmail 19077 invoked from network); 2 Aug 1997 17:19:42 -0000
Received: from localhost (HELO ella.mills.edu) (127.0.0.1)
by localhost with SMTP; 2 Aug 1997 17:19:42 -0000
Message-Id: <199708021716.NAA20703@primary-name.ufl.edu>
Errors-To: madole@mills.edu
Reply-To: tuning@eartha.mills.edu
Originator: tuning@eartha.mills.edu
Sender: tuning@eartha.mills.edu