>As for a Mozart keyboard piece, equal >temperament was in the process of supplanting well-tempered systems for >keyboards in the German-speaking lands during Mozart's lifetime --
I must question this. I would be very interested in learning who was tuning equally tempered keyboards in the 1700's, and how they were doing it. This date seems somewhat at odds with Hipkins' experience at Broadwood's, ( the English were not 100 years behind the times in temperament practises, were they?) From what I have read, in Mozart's lifetime ET was the province of theorists, but well-tempering practises went for another 100 years.
If I am missing something here, I would appreciate learning of trustworthy resources that support the use of ET in the 18th century.
Regards, Ed Foote Precision Piano Works Nashville, Tn.
Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Fri, 28 Feb 1997 00:07 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA32446; Fri, 28 Feb 1997 00:07:30 +0100 Received: from ella.mills.edu by ns (smtpxd); id XA32455 Received: from by ella.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) id PAA11629; Thu, 27 Feb 1997 15:03:36 -0800 Date: Thu, 27 Feb 1997 15:03:36 -0800 Message-Id: <33160391.41B2@cavehill.dnet.co.uk> Errors-To: madole@mills.edu Reply-To: tuning@ella.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@ella.mills.edu