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Recordings

🔗clucy@cix.compulink.co.uk (Charles Lucy)

2/18/1997 11:30:12 PM
Reply to Hstick.

Getting recordings - (it costs a lot less than $300 to get samples
from the websites. $300 less - it's free!)
Most of the info. in the book is freely available on the websites or
by request.
People for whom time is more important than $ can buy it, and save
theemselves time and trouble.

website at http://www.wonderlandinorbit.com/projects/lullaby

has some samples, and can link you to others.
There may be some from Arc-Angel in London available now.

Our philosophical searches may be for the same goal, yet our routes
are our own......
lucy

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Date: Wed, 19 Feb 1997 00:35:27 -0800
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🔗Gary Morrison <MorriSonics@...>

2/20/1997 9:12:58 PM
-------------------- Begin Original Message --------------------

Message text written by INTERNET:tuning@ella.mills.edu

" The fact that
the third of this chord lies close to the tonic of the key
should not be taken to mean that they are both tonics of
the key, one being "wandered", any more than the leading
tone should be considered a "wandered" tonic, or the major
third of the V of ii (near C# in C) should be considered a
"wandered" tonic. "


-------------------- End Original Message --------------------

Frankly I wouldn't buy that. If the harmony makes clear that you're
playing a vi chord, then its third is the tonic. That's built into the
definition of diatonic triads.

If the harmony is ambiguous enough to confuse a leading tone with a
tonic, then that would not fall within the realm of diatonic harmony.

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