Be good and and when I get caught up on reading Tuning digest - maybe be I'll tell you all about the microtonal-ness of recovery at Newark U. hospital.
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--------------------- Forwarded message: From: djones@jfku.edu (David Jones) Sender: ambient-owner@hyperreal.com To: ambient@hyperreal.com Date: 96-11-18 01:27:47 EST
So, I'm sitting here listening to a "snippet" of "The Well-Tuned Piano" on Carl Stone's "Ears Wide Open" and I thought I would post a short message about a concert of his work "Chronos Kristalla" to be performed Sunday, Nov. 24, 1996 at 8pm at Hertz Hall, UC Berkeley. Commissioned exclusively for Kronos Quartet.
Tickets are 26 smackeroos (gosh, I wish I still could get student discounts!) and the concert is part of the Other Minds Festival.
I have no idea what the piece sounds like (this is the West Coast Premiere of the work), but as someone who had the pleasure of seeing Kronos 7 times (including the entire "Salome Dances for Peace"), I heartedly recommend it.
-- David "it finally stopped raining -- for now" Jones
onnow: see above...
Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Mon, 18 Nov 1996 16:01 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA16395; Mon, 18 Nov 1996 16:02:57 +0100 Received: from eartha.mills.edu by ns (smtpxd); id XA16277 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id HAA00322; Mon, 18 Nov 1996 07:02:53 -0800 Date: Mon, 18 Nov 1996 07:02:53 -0800 Message-Id: <961118150015_71670.2576_HHB50-5@CompuServe.COM> Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu
>I think Brian's point is that music at the time tended to have at least 14 >different notated notes, so that if meantone tuning were to be used, the >12-note keyboard would lead to some horrible wolves. Just tuning of course >would require vastly more keys, assuming it could be considered a >satisfactory tuning (which I don't happen to believe).
14 notated pitches per octave in 1850? Split keys were certainly used in the 17th and 18th centuries, but 12 keys per octave was still the norm. 1/4 comma meantone with 12 keys per octave is still quite usable on the vast majority of music written in the 18th century, and well temperaments rendered 12 even more useful. I can see how mass production necessitated standardization of the construction of keyboards, but I remain unconvinced that 12TET is the only possible (or even most likely) result of such standardization.
Bill
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^ Bill Alves email: alves@hmc.edu ^ ^ Harvey Mudd College URL: http://www2.hmc.edu/~alves/ ^ ^ 301 E. Twelfth St. (909)607-4170 (office) ^ ^ Claremont CA 91711 USA (909)621-8360 (fax) ^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Mon, 18 Nov 1996 19:30 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA16692; Mon, 18 Nov 1996 19:31:53 +0100 Received: from eartha.mills.edu by ns (smtpxd); id XA16530 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id KAA03721; Mon, 18 Nov 1996 10:31:51 -0800 Date: Mon, 18 Nov 1996 10:31:51 -0800 Message-Id: <199611181829.SAA08441@gollum.globalnet.co.uk> Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu
If Brian thinks that a 12 tone mean-tone-tuned keyboard leads to wolves, he hasn't played much music of the period when meantone was in use. I'm working on William Byrd's harpsichord music right now (1543-1623), using pure quarter-comma meantone, and there are NO wolves.
Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Tue, 19 Nov 1996 01:21 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA16805; Tue, 19 Nov 1996 01:22:49 +0100 Received: from eartha.mills.edu by ns (smtpxd); id XA15770 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id QAA08923; Mon, 18 Nov 1996 16:22:47 -0800 Date: Mon, 18 Nov 1996 16:22:47 -0800 Message-Id: Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu