The motive for which I have needed a list of the intervals was tied up to the type of software that I am preparing. He, once you give the notes of a chord, produces all his possible inversions on guitar keyboard. The number of inversions is so high that it requires a filter that allows to rearrange it with various criterions. These are essentially of two types: a) technical difficulty (fingering) b) level of consonance
Naturally the point b is a problem so vast and open from seem me often a pure utopia. My objective would be that of establish a "consonance coefficient" that gathers in a number the problematic that the concept of "consonance" implies (beating, harmonics series and many other things that I don't know but that surely anybody of you knows well...) Naively I've thought that this number could be synthesized in a value to give to the various intervals that each inversion requires. For instance:
The fact that the second inversion is, in according to this strange "score", more consonant than root position is strange but, in effects, in the harmonics series it appears before.
In short the principal problem is that of establish the values in the intervals list correctly. I don't know if my method is too na=EFve, let m= e know. Ciao.
--Lorenzo
Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Wed, 6 Nov 1996 21:26 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA05965; Wed, 6 Nov 1996 21:27:36 +0100 Received: from eartha.mills.edu by ns (smtpxd); id XA05918 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id MAA11344; Wed, 6 Nov 1996 12:27:34 -0800 Date: Wed, 6 Nov 1996 12:27:34 -0800 Message-Id: <199611062026.UAA02698@freenet3.carleton.ca> Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu
>Date: Wed, 6 Nov 96 16:45 EST >From: PAULE >To: tuning >Subject: RE: Chinese musical scales >Message-ID: <73961106214537/0005695065PK4EM@MCIMAIL.COM> > > >>Observed tuning from chinese sheng or mouth organ >>0.0000 210.0000 338.0000 498.0450 715.0000 908.0000 1040.0000 1200.0000 > >Who "observed" the fourth note of this scale? >
Come to think of it - who "observed" the octave as being exactly 1200.000?? A rhetorical question - I think it was A.J. Ellis.
Pat Missin.
Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Sat, 9 Nov 1996 00:10 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA02254; Sat, 9 Nov 1996 00:11:54 +0100 Received: from eartha.mills.edu by ns (smtpxd); id XA02251 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id PAA13760; Fri, 8 Nov 1996 15:11:52 -0800 Date: Fri, 8 Nov 1996 15:11:52 -0800 Message-Id: <52961108231025/0005695065PK5EM@MCIMAIL.COM> Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu
> >>Observed tuning from chinese sheng or mouth organ > >>0.0000 210.0000 338.0000 498.0450 715.0000 908.0000 1040.0000 1200.0000 > > > >Who "observed" the fourth note of this scale? > > > > Come to think of it - who "observed" the octave as being exactly 1200.000?? > A rhetorical question - I think it was A.J. Ellis.
Ellis yes, taken from the playing of Chinese musicians at the International Health Exhibition, 1885, during private interviews. Actually the octave was typed in wrongly, it's 1199 cents. See page 518 of Helmholtz: On the Sensations of Tone. Of course, it being a wind instrument and not a Rayna synthesizer, should any figures after the decimal point be taken with a grain of salt. It depends on how hard you blow. Another correction: Chinese Flute / Ellis 0.0000 178.0000 339.0000 448.0000 662.0000 888.0000 1103.0000 1196.0000
Manuel Op de Coul coul@ezh.nl
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There is not just one "Sheng". My eyes have seen sheng with number of pipes ranging from five to at least fifteen, or many more. I did not walk round to count it (how many fingers?).
Instruments are not built to perform "scales", but rather, music. Neither is there only just one kind of Chinese music, but in fact, numerous. Very often, Chinese music are played together by many kinds of instruments, together playing a same melody, at a same or different octaves. And most of these instruments have very different ways of tuning, due to their very different constructions.
To judge how MUSIC is tuned by how one instrument, in particularly one with the greatest of limitations, is tuned is like judging the magnitude of World War II by the size of the stage a drama about World War II has been played on it.
Music is judged by how music appeals to the audience. Music is art. Art is freedom from many limits. This is at least one way how I see it.
Linus Liu.
>>Observed tuning from chinese sheng or mouth organ >>0.0000 210.0000 338.0000 498.0450 715.0000 908.0000 1040.0000 1200.0000 > >Who "observed" the fourth note of this scale?
Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Tue, 12 Nov 1996 18:28 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA01553; Tue, 12 Nov 1996 18:29:36 +0100 Received: from eartha.mills.edu by ns (smtpxd); id XA01550 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id JAA05239; Tue, 12 Nov 1996 09:29:34 -0800 Date: Tue, 12 Nov 1996 09:29:34 -0800 Message-Id: Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu
i initially started this thread of emails looking for cent values for the Lu"s (12 1/4 wavelength resonator pipes in the one foot long range)
somebody gave the cent values, but without reference to frequency. do i assume that 0 cents is a C? I know that is is supposedly close to a C, (at least thats what "Chinese Music" by Van Aalst says) but not quite exactly.
does anyone know what frequency i can refernce these cent values to?
thanks.
Ben
--<-@--<-@--<-@--<-@--<-@--<-@--<-@--<-@--<-@--<-@ it is then unconditional positive regard or love which releases the infinite potential of creativity. - Paul W. Dixon
Received: from ns.ezh.nl [137.174.112.59] by vbv40.ezh.nl with SMTP-OpenVMS via TCP/IP; Wed, 13 Nov 1996 03:11 +0100 Received: by ns.ezh.nl; (5.65v3.2/1.3/10May95) id AA02255; Wed, 13 Nov 1996 03:12:28 +0100 Received: from eartha.mills.edu by ns (smtpxd); id XA02206 Received: from by eartha.mills.edu via SMTP (940816.SGI.8.6.9/930416.SGI) for id SAA12677; Tue, 12 Nov 1996 18:12:26 -0800 Date: Tue, 12 Nov 1996 18:12:26 -0800 Message-Id: Errors-To: madole@ella.mills.edu Reply-To: tuning@eartha.mills.edu Originator: tuning@eartha.mills.edu Sender: tuning@eartha.mills.edu