Yahoo Tuning Groups Ultimate Backup makemicromusic The World has Changed

As some of you know I received my 19 note per octave Ibanez from Brad Smith and I promptly wrote this song using it. Everything you hear guitar-wise is the 19 edo I used Absynth 5 for the bass and added some vocals and samples of a Japanese man talking angrily. The French Horn is from Peter Thoegersen's "Sit Up and Sit Down!" as performed in Urbana on 4/21/2011. The text is from an interview with a Japanese woman after the 3/11/2011 earthquake and tsunami that struck me as an unusual observation:

You may download the mp3 from here:

http://micro.soonlabel.com/19-ET/daily20110429-19edo-the_world_has_changed3.mp3

or play it online here:

http://chrisvaisvil.com/?p=800

Matsuko Ito, who has been living in a shelter in the small northeastern city of Natori since the tsunami, said there's no getting used to the terror of being awoken by shaking.

She said she started screaming when the quake struck around 11:30 p.m.

"It's enough," the 64-year-old while smoking a cigarette outside. "Something has changed. The world feels strange now. Even the way the clouds move isn't right."

In Ichinoseki, lines formed outside a supermarket when it opened Friday morning. An employee with a flashlight escorted each customer around the store and jotted the price of each selected item in a pad.

"Something has changed. The world feels strange now. Even the way the clouds move isn't right."

🔗Mike Battaglia <battaglia01@...>

On Sat, Apr 30, 2011 at 8:27 PM, christopherv <chrisvaisvil@...> wrote:
>
> As some of you know I received my 19 note per octave Ibanez from Brad Smith and I promptly wrote this song using it. Everything you hear guitar-wise is the 19 edo – I used Absynth 5 for the bass and added some vocals and samples of a Japanese man talking angrily. The French Horn is from Peter Thoegersen's "Sit Up and Sit Down!" as performed in Urbana on 4/21/2011. The text is from an interview with a Japanese woman after the 3/11/2011 earthquake and tsunami that struck me as an unusual observation:

Nice! I see you're exploring some extended meantone stuff. You should
try messing around with negri next, I think you might like it. Negri
generates the following 9 note scale, in 19-tet notation

C Db D# E F G Ab A# B C

2 2 2 2 3 2 2 2 2

So it splits the fourth into 5 equal parts. You can play some pretty
wild stuff in it, check Igs' latest post for an example of that.

Good to see you went the 19-equal route! When this one gets boring, I
strongly suggest 15-equal next, which will endow you with the ability
to cure disease and prevent world war.

-Mike

PS - lol Engrish typo, the 64 year old while smoking a cigarette outside

🔗christopherv <chrisvaisvil@...>

As some of you know I received my 19 note per octave Ibanez from Brad Smith and
I promptly wrote this song using it. Everything you hear guitar-wise is the 19
edo I used Absynth 5 for the bass and added some vocals and samples of a
Japanese man talking angrily. The French Horn is from Peter Thoegersen's "Sit Up
and Sit Down!" as performed in Urbana on 4/21/2011. The text is from an
interview with a Japanese woman after the 3/11/2011 earthquake and tsunami that
struck me as an unusual observation.

You may download the mp3 from here:

http://micro.soonlabel.com/19-ET/daily20110429-19edo-the_world_has_changed3.mp3

or play it online here:

http://chrisvaisvil.com/?p=800

Matsuko Ito, who has been living in a shelter in the small northeastern city of
Natori since the tsunami, said there's no getting used to the terror of being
awoken by shaking.

She said she started screaming when the quake struck around 11:30 p.m.

"It's enough," the 64-year-old while smoking a cigarette outside. "Something has
changed. The world feels strange now. Even the way the clouds move isn't right."

In Ichinoseki, lines formed outside a supermarket when it opened Friday morning.
An employee with a flashlight escorted each customer around the store and jotted
the price of each selected item in a pad.

"Something has changed. The world feels strange now. Even the way the clouds
move isn't right."

🔗Chris Vaisvil <chrisvaisvil@...>

I don't understand why you are saying this is extended meantone - not that I
really understand the implications of what you are saying.

The fact is the piece highly chromatic and certainly not anything you could
play in 12 (accurately).

So, could you explain because I am confused.

On Sat, Apr 30, 2011 at 9:06 PM, Mike Battaglia <battaglia01@...>wrote:

>
>
> Nice! I see you're exploring some extended meantone stuff. You should
> try messing around with negri next, I think you might like it. Negri
> generates the following 9 note scale, in 19-tet notation
>
> C Db D# E F G Ab A# B C
>
> Or
>
> 2 2 2 2 3 2 2 2 2
>
> So it splits the fourth into 5 equal parts. You can play some pretty
> wild stuff in it, check Igs' latest post for an example of that.
>
> Good to see you went the 19-equal route! When this one gets boring, I
> strongly suggest 15-equal next, which will endow you with the ability
> to cure disease and prevent world war.
>
> -Mike
>
>
>

[Non-text portions of this message have been removed]

🔗Carl Lumma <carl@...>

🔗Chris Vaisvil <chrisvaisvil@...>

Mike,

I see you are back on line. Can you explain your meaning with regard to your
remarks on this piece?

Thanks,

Chris

On Sat, Apr 30, 2011 at 9:33 PM, Chris Vaisvil <chrisvaisvil@...>wrote:

> I don't understand why you are saying this is extended meantone - not that
> I really understand the implications of what you are saying.
>
> The fact is the piece highly chromatic and certainly not anything you could
> play in 12 (accurately).
>
> So, could you explain because I am confused.
>
> On Sat, Apr 30, 2011 at 9:06 PM, Mike Battaglia <battaglia01@...>wrote:
>
>>
>>
>> Nice! I see you're exploring some extended meantone stuff. You should
>> try messing around with negri next, I think you might like it. Negri
>> generates the following 9 note scale, in 19-tet notation
>>
>> C Db D# E F G Ab A# B C
>>
>> Or
>>
>> 2 2 2 2 3 2 2 2 2
>>
>> So it splits the fourth into 5 equal parts. You can play some pretty
>> wild stuff in it, check Igs' latest post for an example of that.
>>
>> Good to see you went the 19-equal route! When this one gets boring, I
>> strongly suggest 15-equal next, which will endow you with the ability
>> to cure disease and prevent world war.
>>
>> -Mike
>>
>>
>>
>

[Non-text portions of this message have been removed]

🔗Mike Battaglia <battaglia01@...>

🔗Jake Freivald <jdfreivald@...>

🔗Chris Vaisvil <chrisvaisvil@...>

Thanks for the listen and comment Jake!

What the lady said is spooky to me.

Chris

On Tue, May 3, 2011 at 8:26 AM, Jake Freivald <jdfreivald@gmail.com> wrote:

>
>
> Chris, I just caught up to this piece, and I like it a lot. Powerful,
> chaotic, evocative. Nice work.
>
> Regards,
> Jake
>
>
> On 5/3/11, Mike Battaglia <battaglia01@...> wrote:
> > On Tue, May 3, 2011 at 7:17 AM, Chris Vaisvil <chrisvaisvil@...>
> > wrote:
> >>
> >> Mike,
> >>
> >> I see you are back on line. Can you explain your meaning with regard to
> >> your
> >> remarks on this piece?
> >
> > The piece was very highly chromatic, but at one point I thought I
> > heard you shredding some pentatonics over it. Since pentatonic scales
> > in 19-tet are 5 notes of meantone, I thought that was a cue that you
> > were thinking in terms of 19-tet extended meantone harmony. Perhaps
> > that isn't how you were thinking about it after all.
> >
> > -Mike
> >
>
>

[Non-text portions of this message have been removed]

🔗Chris Vaisvil <chrisvaisvil@...>

ImprovFriday has a glitch theme going .

So I did a glitch (as in hard to listen to) remix

you can hear it here

http://improvfriday.ning.com/xn/detail/4162021:Comment:35021

Chris

On Tue, May 3, 2011 at 11:24 AM, Chris Vaisvil <chrisvaisvil@...>wrote:

> Thanks for the listen and comment Jake!
>
> What the lady said is spooky to me.
>
> Chris
>
>
> On Tue, May 3, 2011 at 8:26 AM, Jake Freivald <jdfreivald@...>wrote:
>
>>
>>
>> Chris, I just caught up to this piece, and I like it a lot. Powerful,
>> chaotic, evocative. Nice work.
>>
>> Regards,
>> Jake
>>
>>
>> On 5/3/11, Mike Battaglia <battaglia01@...> wrote:
>> > On Tue, May 3, 2011 at 7:17 AM, Chris Vaisvil <chrisvaisvil@...>
>> > wrote:
>> >>
>> >> Mike,
>> >>
>> >> I see you are back on line. Can you explain your meaning with regard to
>> >> your
>> >> remarks on this piece?
>> >
>> > The piece was very highly chromatic, but at one point I thought I
>> > heard you shredding some pentatonics over it. Since pentatonic scales
>> > in 19-tet are 5 notes of meantone, I thought that was a cue that you
>> > were thinking in terms of 19-tet extended meantone harmony. Perhaps
>> > that isn't how you were thinking about it after all.
>> >
>> > -Mike
>> >
>>
>>
>
>

[Non-text portions of this message have been removed]

🔗Caleb Morgan <calebmrgn@...>

🔗Ozan Yarman <ozanyarman@...>

🔗chrisvaisvil@...

There is supposed to be a piblic folder on box.

Nonetheless I can host if Caleb wants.
-----Original Message-----
From: Ozan Yarman <ozanyarman@...>
Sender: MakeMicroMusic@yahoogroups.com
Date: Fri, 06 May 2011 22:13:36
To: <MakeMicroMusic@yahoogroups.com>
Reply-To: MakeMicroMusic@yahoogroups.com
Subject: Re: [MMM] Re: [Music] The World has Changed

I'm not a member of box. Is there any way to listen without registering
there?

Oz.

✩ ✩ ✩
www.ozanyarman.com

Caleb Morgan wrote:
> Here's a new piece, for Logic Pro 8.
>
> http://www.box.net/files/0/f/17990454/Composer_Caleb_Morgan_Advocates_for_Audio_Surveillance#/files/0/f/58780739/Newer_Sketches_&_Trial_Balloons
>
>
> About 6 minutes.
>
> If it's an achievement, it's mainly because it uses a microtonal tuning (heard
> more later on in the piece) and attempts some self-similar generation
> techniques, and it grapples with the hated Logic Pro 8 -- in which nothing works
> the way it oughtta.
>
> Lighter, but that's ok.
>
> Caleb
>
> (If you hate it, don't tell me. I'm just glad to be writing something, again.)
>
>
>
>
>

[Non-text portions of this message have been removed]

🔗Ozan Yarman <ozanyarman@...>

🔗Chris Vaisvil <chrisvaisvil@...>

🔗Caleb Morgan <calebmrgn@...>

Sorry, folks, I'll fix the problem. It gets confusing.

http://www.box.net/shared/5dygo2jon4 should get you to the piece

http://www.box.net/files/0/f/17990454/Composer_Caleb_Morgan_Advocates_for_Audio_Surveillance

should get you to the entire contents of my stuff. Feel free to plunder.

There should be folders with all my stuff -- mp3's, .aif's, some apps, tunings,

The idea is that it's all available for whoever wants to do whatever with it.

Lemme know if I've screwed up the link, again!

Caleb

________________________________
From: Ozan Yarman <ozanyarman@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Fri, May 6, 2011 3:23:36 PM
Subject: Re: [MMM] Re: [Music] The World has Changed

When I click the link, it says:

"Please login to access your Box"

Oz.

✩ ✩ ✩
www.ozanyarman.com

chrisvaisvil@... wrote:
> There is supposed to be a piblic folder on box.
>
> Nonetheless I can host if Caleb wants.
> -----Original Message-----
> From: Ozan Yarman<ozanyarman@...>
> Sender: MakeMicroMusic@yahoogroups.com
> Date: Fri, 06 May 2011 22:13:36
> To:<MakeMicroMusic@yahoogroups.com>
> Reply-To: MakeMicroMusic@yahoogroups.com
> Subject: Re: [MMM] Re: [Music] The World has Changed
>
> I'm not a member of box. Is there any way to listen without registering
> there?
>
> Oz.
>

[Non-text portions of this message have been removed]

🔗Caleb Morgan <calebmrgn@...>

And if that link doesn't work for the rest of the stuff, this one will:

http://www.box.net/shared/m37jhti1og

The piece is in the folder called Newer Sketches & Trial Balloons

________________________________
From: Caleb Morgan <calebmrgn@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 5:18:09 AM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

Sorry, folks, I'll fix the problem. It gets confusing.

http://www.box.net/shared/5dygo2jon4 should get you to the piece

http://www.box.net/files/0/f/17990454/Composer_Caleb_Morgan_Advocates_for_Audio_Surveillance

should get you to the entire contents of my stuff. Feel free to plunder.

There should be folders with all my stuff -- mp3's, .aif's, some apps, tunings,

The idea is that it's all available for whoever wants to do whatever with it.

Lemme know if I've screwed up the link, again!

Caleb

________________________________
From: Ozan Yarman <ozanyarman@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Fri, May 6, 2011 3:23:36 PM
Subject: Re: [MMM] Re: [Music] The World has Changed

When I click the link, it says:

"Please login to access your Box"

Oz.

✩ ✩ ✩
www.ozanyarman.com

[Non-text portions of this message have been removed]

🔗genewardsmith <genewardsmith@...>

🔗chrisvaisvil@...

🔗Caleb Morgan <calebmrgn@...>

Thank you, that means a lot to me, coming from you.

I'm still learning how to do some basic things with Logic. Today I had to read
the manual for a half-hour (!) to figure out how to do simple 50% quantization
-- just tightening up the rhythmic feel a little, not all the way quantized.
They make it more complicated than any other sequencing software I've ever used
(Performer, Studio Vision, Synclavier).

http://www.box.net/shared/m37jhti1og

I'd like to know: This link should get you to the level in my box with a bunch
of folders. Then you should be able to click on any folder and listen or
download whatever you want.

Is this link not working?

Caleb

________________________________
From: genewardsmith <genewardsmith@sbcglobal.net>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 12:53:28 PM
Subject: [MMM] Re: [Music] Caleb piece (oops)

--- In MakeMicroMusic@yahoogroups.com, Caleb Morgan <calebmrgn@...> wrote:
>
> Sorry, folks, I'll fix the problem. It gets confusing.
>
> http://www.box.net/shared/5dygo2jon4 should get you to the piece

Very nice! The other link didn't work for me.

[Non-text portions of this message have been removed]

🔗Caleb Morgan <calebmrgn@...>

Don't know what tiny url is.

I don't know how (or why) I should search Carl's posts.

If you don't know what piece I'm talking about, you can say that.

As I said, perhaps I'm confused about which piece it was.

You post many pieces, I'm going to listen to *some* of them and comment on the
ones I *like*.

*However, you shouldn't interpret my failure to comment as my not liking
something.*

Maybe I was just busy doing something else, etc. etc.

Let's not let the Internet Snark get in the way of my listening. I'm going to
keep listening to your stuff, and when I hear something I like, I'll say so.

I'm not going to listen to four versions of a piece and compare tunings -- the
reason being that it's unlikely to be either a worthwhile experiment (too many
random factors) and it's not so much fun, either.

You post so much stuff that you'll have to be patient with people who are
confused about which piece was what.

caleb

________________________________
From: "chrisvaisvil@..." <chrisvaisvil@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 1:23:41 PM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

Good place to apply tinyurl or other such service.
-----Original Message-----
From: "genewardsmith" <genewardsmith@...>
Sender: MakeMicroMusic@yahoogroups.com
Date: Sat, 07 May 2011 16:53:28
To: <MakeMicroMusic@yahoogroups.com>
Reply-To: MakeMicroMusic@yahoogroups.com
Subject: [MMM] Re: [Music] Caleb piece (oops)

Very nice! The other link didn't work for me.

[Non-text portions of this message have been removed]

🔗chrisvaisvil@...

Huh?

-----Original Message-----
From: Caleb Morgan <calebmrgn@...>
Sender: MakeMicroMusic@yahoogroups.com
Date: Sat, 7 May 2011 10:35:15
To: <MakeMicroMusic@yahoogroups.com>
Reply-To: MakeMicroMusic@yahoogroups.com
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

Don't know what tiny url is.

I don't know how (or why) I should search Carl's posts.

If you don't know what piece I'm talking about, you can say that.

As I said, perhaps I'm confused about which piece it was.

You post many pieces, I'm going to listen to *some* of them and comment on the
ones I *like*.

*However, you shouldn't interpret my failure to comment as my not liking
something.*

Maybe I was just busy doing something else, etc. etc.

Let's not let the Internet Snark get in the way of my listening. I'm going to
keep listening to your stuff, and when I hear something I like, I'll say so.

You post so much stuff that you'll have to be patient with people who are
confused about which piece was what.

caleb

________________________________
From: "chrisvaisvil@..." <chrisvaisvil@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 1:23:41 PM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

Very nice! The other link didn't work for me.

[Non-text portions of this message have been removed]

🔗Caleb Morgan <calebmrgn@...>

I'd like to listen to a piece I think was yours: Perhaps I was mistaken.

It involved some found sound, some recorded voice.

Don't bother with one-word replies, like this.

Wait 'til you get back to a computer with a keyboard, and can give a valid
response some attention.

I'll continue to listen to your music, and comment on the stuff I like.

caleb

________________________________
From: "chrisvaisvil@..." <chrisvaisvil@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 1:46:28 PM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

Huh?

Don't know what tiny url is.

I don't know how (or why) I should search Carl's posts.

If you don't know what piece I'm talking about, you can say that.

As I said, perhaps I'm confused about which piece it was.

You post many pieces, I'm going to listen to *some* of them and comment on the
ones I *like*.

*However, you shouldn't interpret my failure to comment as my not liking
something.*

Maybe I was just busy doing something else, etc. etc.

Let's not let the Internet Snark get in the way of my listening. I'm going to
keep listening to your stuff, and when I hear something I like, I'll say so.

You post so much stuff that you'll have to be patient with people who are
confused about which piece was what.

caleb

________________________________
From: "chrisvaisvil@..." <chrisvaisvil@gmail.com>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 1:23:41 PM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

Very nice! The other link didn't work for me.

[Non-text portions of this message have been removed]

🔗genewardsmith <genewardsmith@...>

🔗Chris Vaisvil <chrisvaisvil@...>

I am astonished at the negativity I feel from the response below.

Thus my response of "Huh?"

My suggestion of searching Carl's posts on the yahoo groups site and giving
you the URL to my web site is certainly a reasonable solution typed for you
using some stolen time away from my wife as I mentioned. You may be busy.
Other people are busy too.

Chris
.

On Sat, May 7, 2011 at 1:35 PM, Caleb Morgan <calebmrgn@...> wrote:

>
>
> Don't know what tiny url is.
>
> I don't know how (or why) I should search Carl's posts.
>
> If you don't know what piece I'm talking about, you can say that.
>
> As I said, perhaps I'm confused about which piece it was.
>
> You post many pieces, I'm going to listen to *some* of them and comment on
> the
> ones I *like*.
>
> *However, you shouldn't interpret my failure to comment as my not liking
> something.*
>
> Maybe I was just busy doing something else, etc. etc.
>
> Let's not let the Internet Snark get in the way of my listening. I'm going
> to
> keep listening to your stuff, and when I hear something I like, I'll say
> so.
>
> I'm not going to listen to four versions of a piece and compare tunings --
> the
> reason being that it's unlikely to be either a worthwhile experiment (too
> many
> random factors) and it's not so much fun, either.
>
> You post so much stuff that you'll have to be patient with people who are
> confused about which piece was what.
>
> caleb
>
> ________________________________
> From: "chrisvaisvil@..." <chrisvaisvil@...>
> To: MakeMicroMusic@yahoogroups.com
> Sent: Sat, May 7, 2011 1:23:41 PM
> Subject: Re: [MMM] Re: [Music] Caleb piece (oops)
>
>
> Good place to apply tinyurl or other such service.
> -----Original Message-----
> From: "genewardsmith" <genewardsmith@...>
> Sender: MakeMicroMusic@yahoogroups.com
> Date: Sat, 07 May 2011 16:53:28
> To: <MakeMicroMusic@yahoogroups.com>
> Reply-To: MakeMicroMusic@yahoogroups.com
>
> Subject: [MMM] Re: [Music] Caleb piece (oops)
>
> --- In MakeMicroMusic@yahoogroups.com, Caleb Morgan <calebmrgn@...> wrote:
> >
> > Sorry, folks, I'll fix the problem. It gets confusing.
> >
> > http://www.box.net/shared/5dygo2jon4 should get you to the piece
>
> Very nice! The other link didn't work for me.
>
> [Non-text portions of this message have been removed]
>
> [Non-text portions of this message have been removed]
>
>
>

[Non-text portions of this message have been removed]

🔗Caleb Morgan <calebmrgn@...>

Sorry, Internet misunderstanding.

Wish to listen to a piece that got an enthusiastic response.

Perhaps it was yours?

caleb

________________________________
From: Chris Vaisvil <chrisvaisvil@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 5:03:33 PM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

I am astonished at the negativity I feel from the response below.

Thus my response of "Huh?"

Chris
.

On Sat, May 7, 2011 at 1:35 PM, Caleb Morgan <calebmrgn@...> wrote:

[Non-text portions of this message have been removed]

------------------------------------

Yahoo! Groups Links

[Non-text portions of this message have been removed]

🔗Caleb Morgan <calebmrgn@...>

Instead of reading for tone, I suggest reading literally.

I'm asking you if you wrote a piece recently that Carl responded to with "I
really like this!" or words to that effect.

I would like to listen to that piece.

caleb

________________________________
From: Caleb Morgan <calebmrgn@...m>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 5:10:12 PM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

Sorry, Internet misunderstanding.

Wish to listen to a piece that got an enthusiastic response.

Perhaps it was yours?

caleb

________________________________
From: Chris Vaisvil <chrisvaisvil@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 5:03:33 PM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

I am astonished at the negativity I feel from the response below.

Thus my response of "Huh?"

Chris
.

On Sat, May 7, 2011 at 1:35 PM, Caleb Morgan <calebmrgn@...> wrote:

[Non-text portions of this message have been removed]

------------------------------------

Yahoo! Groups Links

[Non-text portions of this message have been removed]

🔗Caleb Morgan <calebmrgn@...>

Let me try to sort this out.

Internet misunderstandings are common. In fact, in the past you mistook me for
someone else, and were angry, you thought, at me. It was a misunderstanding,
and you apologized. In fact, you were angry at someone else.

Now, I'm not pressuring you to answer quickly.

Also, I'm not a member of the tuning list, where we had that misunderstanding.

I de-subscribed some time ago.

The only reason I sound obstinate, here, is because once I become curious about
something, I tend to persist.

The goal of this persistence is not to pressure you.

It's simply to have the question answered.

Carl has good ears. If he liked something, it's worth listening to.

I'm desperately trying to avoid too much meta-cognitive debate, or debates about
manners, when I'm simply interested in hearing a piece of yours, if you wrote
it.

Cold, perhaps. Self-interested? Absolutely. I might learn something about
music from that piece that Carl liked.

We're not friends, nor are we adversaries. We're composers with some common
interests, and somewhat overlapping tastes.

I'll probably regret saying what I said, above.

If you'd like me to explain any particular remark, and why I said it, feel free
to ask.

There's just too much stuff to hear without having some idea in advance whether
it's likely to be good.

It's not about who's busier.

I see misunderstandings and squabbles all the time on the site where I hang out,
and so, charmless or not, I'm avoiding that.

Put your "Spock" hat on, for a second, and just satisfy my curiosity.

caleb

________________________________
From: Chris Vaisvil <chrisvaisvil@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 5:03:33 PM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

I am astonished at the negativity I feel from the response below.

Thus my response of "Huh?"

Chris
.

On Sat, May 7, 2011 at 1:35 PM, Caleb Morgan <calebmrgn@...> wrote:

[Non-text portions of this message have been removed]

------------------------------------

Yahoo! Groups Links

[Non-text portions of this message have been removed]

🔗jonszanto <jszanto@...>

🔗Caleb Morgan <calebmrgn@...>

Sorry. I'll stop.

I don't know how to contact Carl, and I'm not sure what piece we're talking
about.

So I thought the composer might tell me.

I don't have Carl's posts.

Do you mean on Google?

I honestly didn't think of that.

-c

________________________________
From: jonszanto <jszanto@cox.net>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 6:27:47 PM
Subject: [MMM] Re: [Music] Caleb piece (oops)

--- In MakeMicroMusic@yahoogroups.com, Caleb Morgan <calebmrgn@...> wrote:
>
> Let me try to sort this out.

Chris was right: if it was Carl's comment, do a search of his posts to see if
you can figure it out. Or write Carl, and ask him.

Make a little effort on your side of things, or don't, but Chris has already
composed, recorded and posted the piece.

[Non-text portions of this message have been removed]

🔗Caleb Morgan <calebmrgn@...>

Yes, you were right. Google is my friend.

Re: [MMM] The World has Changed

I really like this!! -Carl

Chris wrote:

>As some of you know I received my 19 note per octave Ibanez from Brad
>Smith and I promptly wrote this song using it. Everything you hear
>guitar-wise is the 19 edo I used Absynth 5 for the bass and added
>some vocals and samples of a Japanese man talking angrily. The French
>Horn is from Peter Thoegersen's "Sit Up and Sit Down!" as performed in
>Urbana on 4/21/2011. The text is from an interview with a Japanese
>woman after the 3/11/2011 earthquake and tsunami that struck me as an
>unusual observation:
>
> http://chrisvaisvil.com/?p=800
>

________________________________
From: Caleb Morgan <calebmrgn@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 6:41:41 PM
Subject: Re: [MMM] Re: [Music] Caleb piece (oops)

Sorry. I'll stop.

I don't know how to contact Carl, and I'm not sure what piece we're talking
about.

So I thought the composer might tell me.

I don't have Carl's posts.

Do you mean on Google?

I honestly didn't think of that.

-c

________________________________
From: jonszanto <jszanto@...>
To: MakeMicroMusic@yahoogroups.com
Sent: Sat, May 7, 2011 6:27:47 PM
Subject: [MMM] Re: [Music] Caleb piece (oops)

--- In MakeMicroMusic@yahoogroups.com, Caleb Morgan <calebmrgn@...> wrote:
>
> Let me try to sort this out.

Chris was right: if it was Carl's comment, do a search of his posts to see if
you can figure it out. Or write Carl, and ask him.

Make a little effort on your side of things, or don't, but Chris has already
composed, recorded and posted the piece.

[Non-text portions of this message have been removed]