Re: 11 EDO Spectral Tuned Music

--- In MakeMicroMusic@y..., "jacky_ligon" <jacky_ligon@y...>
wrote:
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> Here's some spectral tuned 11 EDO examples to check out:
>
> http://www.microtonal.org/mp3/11EDO-5ths.mp3
>
> http://www.microtonal.org/mp3/11EDO-Min_Triads.mp3
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> http://www.microtonal.org/mp3/11EDO-Maj_Triads.mp3
>
> http://www.microtonal.org/mp3/11EDO_Gamelan.mp3
>
> (Right Click and chose "Save Target As" to save these to your
drive)
>
> The timbre used here actually began as an electric piano-like
timbre,
> but after being altered to match 11 EDO it takes on a very
bell-like
> quality. The "5ths" of 11 EDO @ 654.545 cents become quite
smooth,
> although still pretty alien sounding when the 3rd harmonic of
the
> timbre has a frequency ratio of 2.918960211 rather than 3.
Makes a
> great case for how our perception of
consonance/smoothness/justness
> is many times directly tied to matching the *tuning and the
timbre*
> at once.
>
> Good Day,
>
> J:L

Hi Jacky those examples sounded so tense and dissonant and
then you come along and make such a hauntingly beautiful
piece in those same scales and timbres. Well done !

Justin

--- In MakeMicroMusic@y..., "jacky_ligon" <jacky_ligon@y...>
wrote:
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> Here's some spectral tuned 11 EDO examples to check out:
>
> http://www.microtonal.org/mp3/11EDO-5ths.mp3
>
> http://www.microtonal.org/mp3/11EDO-Min_Triads.mp3
>
> http://www.microtonal.org/mp3/11EDO-Maj_Triads.mp3
>
> http://www.microtonal.org/mp3/11EDO_Gamelan.mp3
>
> (Right Click and chose "Save Target As" to save these to your
drive)
>
> The timbre used here actually began as an electric piano-like
timbre,
> but after being altered to match 11 EDO it takes on a very
bell-like
> quality. The "5ths" of 11 EDO @ 654.545 cents become quite
smooth,
> although still pretty alien sounding when the 3rd harmonic of
the
> timbre has a frequency ratio of 2.918960211 rather than 3.
Makes a
> great case for how our perception of
consonance/smoothness/justness
> is many times directly tied to matching the *tuning and the
timbre*
> at once.
>
> Good Day,
>
> J:L

Hi Jacky those examples sounded so tense and dissonant and
then you come along and make such a hauntingly beautiful
piece in those same scales and timbres. Well done !

Justin