let's try this again...

I posted a link to some new completed work on the Tuning list, but I posted it as a TinyURL, and forgot there are potential safety issues; it could lead to a malicious or offensive site for all anybody knows. I also should've posted it in MMM, but I didn't want to crosspost.

Anyway, I did some reorganization of my music, and I put my orchestral (and currently, synth-generated) stuff in a new album on Last.fm:

http://www.last.fm/music/Danny+Wier/Symphonic

(I need to consider hosting my files somewhere else, since Last.fm now requires a subscription in most countries; for the UK, US and Germany, it's still free and ad-supported.)

Again, not all of these tracks are microtonal; the first two are not, but the rest use 72-edo. Many times, I subtly alter a note by a 16 2/3 comma.

~D.

Eh, disregard my earlier post on the tuning list, I just saw this one.
I like this track. Why did you name it "Come out and play"?
-Mike

On Thu, Sep 10, 2009 at 12:53 PM, Danny Wier <dawiertx@...> wrote:
>
>
>
> I posted a link to some new completed work on the Tuning list, but I
> posted it as a TinyURL, and forgot there are potential safety issues; it
> could lead to a malicious or offensive site for all anybody knows. I
> also should've posted it in MMM, but I didn't want to crosspost.
>
> Anyway, I did some reorganization of my music, and I put my orchestral
> (and currently, synth-generated) stuff in a new album on Last.fm:
>
> http://www.last.fm/music/Danny+Wier/Symphonic
>
> (I need to consider hosting my files somewhere else, since Last.fm now
> requires a subscription in most countries; for the UK, US and Germany,
> it's still free and ad-supported.)
>
> Again, not all of these tracks are microtonal; the first two are not,
> but the rest use 72-edo. Many times, I subtly alter a note by a 16 2/3
> comma.
>
> ~D.
>
>

From: "Mike Battaglia" <battaglia01@...>

> Eh, disregard my earlier post on the tuning list, I just saw this one.
> I like this track. Why did you name it "Come out and play"?
> -Mike

It's part of that imaginary soundtrack of mine, the backing music to a scene that involves the hero in a training mission, hunting mutants, monsters and whatnot in the Australian Outback in a futuristic dystopia. Mad Max meets the Middle Ages, more or less.

(That flute-like low D in the beginning is supposed to be a didgeridoo.)

~D.