Thanks Hudson, Carl

--- In MakeMicroMusic@yahoogroups.com, Carl Lumma <ekin@...> wrote:
>
> Man, like all your stuff, it *sounds* good. Quite a plug
> for Orion, I guess. What was the tuning here?
>
> -Carl

Thank you Hudson and Carl. This work was composed and realized with
Myriad's Harmony Assistant with Gold Soundbase 2, a nifty composition
software. User-defined tunings of up to 70 pitches/octave (one cent
resolution) are possible.

Chromatic Fantasie used a simple 12-tone Pythagorean tuning:

!

90

204

294

408

498

612

702

792

906

996

1110

I have a number of other tunings programed: 12 just, 17-tone in edo &
well-tempered (not George's), 31 edo, 19-tone in edo & Pythagorean &
1/4-comma meantone, sundry ancient Greek tunings (Archytus, Didymus,
Ptolemy), 24-tone Arabic, and so on. I plan to stay very busy...

Regards,

jlsmith

[Non-text portions of this message have been removed]

Thanks for the info. How did you articulate the violin line?
Was it played from a keyboard?

-Carl

>> Man, like all your stuff, it *sounds* good. Quite a plug
>> for Orion, I guess. What was the tuning here?
>
>Thank you Hudson and Carl. This work was composed and realized with
>Myriad's Harmony Assistant with Gold Soundbase 2, a nifty composition
>software. User-defined tunings of up to 70 pitches/octave (one cent
>resolution) are possible.
>
>Chromatic Fantasie used a simple 12-tone Pythagorean tuning:
>
>!
>
>90
>
>204
>
>294
>
>408
>
>498
>
>612
>
>702
>
>792
>
>906
>
>996
>
>1110
>
>
>
>I have a number of other tunings programed: 12 just, 17-tone in edo &
>well-tempered (not George's), 31 edo, 19-tone in edo & Pythagorean &
>1/4-comma meantone, sundry ancient Greek tunings (Archytus, Didymus,
>Ptolemy), 24-tone Arabic, and so on. I plan to stay very busy...
>
>Regards,
>
>jlsmith