JI piece

http://works.music.columbia.edu/~chris/aftermath.mp3

1/1 21/20 9/8 7/6 5/4 21/16 11/8 3/2 13/8 5/3 7/4 15/8

Meditation for concrete sounds and processed strings.

CB

mysterious and quite compelling.
interesting tuning like somewhere between the 12 Canwright and the one i came up with.
with less repeated material at the fifth that either adds a tension that sustains anfd keeps it going

Christopher Bailey wrote:
> http://works.music.columbia.edu/~chris/aftermath.mp3
>
> 1/1 21/20 9/8 7/6 5/4 21/16 11/8 3/2 13/8 5/3 7/4 15/8
>
> Meditation for concrete sounds and processed strings.
>
>
> CB
>
>
>
> > Yahoo! Groups Links
>
>
>
> >
>
>
>
> -- Kraig Grady
North American Embassy of Anaphoria Island <http://anaphoria.com/>
The Wandering Medicine Show
KXLU <http://www.kxlu.com/main.html> 88.9 FM Wed 8-9 pm Los Angeles

Awesome! I always look forward to hearing your stuff.

This is so engrossing. It's a lot more... something... than what I'm
used to from you.
Coherent seems too judgemental, because I love your other stuff, and I
love this. It's just very different from what I expected.

I am, of course, always interested in what went into composing this. I
know that you generally favor formalist techniques, does that trend
continue here? I'd also like to know what concrete sounds you used,
because I find they're provoking pretty strong reactions in me.

On 7/15/06, Christopher Bailey <chris@...> wrote:
>
> http://works.music.columbia.edu/~chris/aftermath.mp3
>
> 1/1 21/20 9/8 7/6 5/4 21/16 11/8 3/2 13/8 5/3 7/4 15/8
>
> Meditation for concrete sounds and processed strings.
>
>
> CB

--TRISTAN
(http://dreamingofeden.smackjeeves.com/)

On Saturday 15 July 2006 5:46 pm, Christopher Bailey wrote:
> http://works.music.columbia.edu/~chris/aftermath.mp3
>
> 1/1 21/20 9/8 7/6 5/4 21/16 11/8 3/2 13/8 5/3 7/4 15/8
>
> Meditation for concrete sounds and processed strings.

Nice, beautifully done---very evocative! The sonic field in headphones was
very rich and haunting.

What's the equipment/software/soundfonts or what have you? Can you say
anything about your compositional thinking/process here? Does the title refer
to a post-global warming catastrophe? Post-nuke? Post bad acid flashback?
Post-breakup?

I hope this post of yours doesn't get drowned out on the lists.

Best,
Aaron.

BTW, speaking of acid flashbacks, did you all hear that Syd Barrett died on
July 7th?

Hi Christopher,

--- In MakeMicroMusic@yahoogroups.com, Aaron Krister Johnson wrote:
>
> On Saturday 15 July 2006 5:46 pm, Christopher Bailey wrote:
> > http://works.music.columbia.edu/~chris/aftermath.mp3
> >
> > 1/1 21/20 9/8 7/6 5/4 21/16 11/8 3/2 13/8 5/3 7/4 15/8
> >
> > Meditation for concrete sounds and processed strings.

Deep and doomy! :-)

And as interesting rhythmically as texturally.

> Nice, beautifully done---very evocative! The sonic field in
headphones was very rich and haunting.

What he said.

> ... Can you say anything about your compositional thinking/process
here? ...

Always a most interesting question.

> I hope this post of yours doesn't get drowned out on the lists.

Seconded. Encore!

Regards,
Yahya